[On Las Vegas audiences] Those audiences are wonderful. Talk about the most bitter group of people on the planet Earth! For one brief shining moment, I am Mr. Happy!
Lewis Black
If there are some who talk the same language as myself, then why should I neglect their interests for the sake of some other group of people who are alien and remote? they have their own 'gods and idols' and we have nothing in common. [...] If you try to please audiences, uncritically accepting their tastes, it can only mean that you have no respect for them: that you simply want to collect their money (p174)
Andrei Tarkovsky
Richard opened the door. He brought the races together. When I first went on the road their were many segregated audiences. With Richard, although they still had the audiences segregated in the building, they were there TOGETHER. And most times before the end of the night, they would all be mixed together. Up until then, the audiences were either all black or all white and no one else could come in. His records weren't boy-meets-girl-girl-meets-boy things, they were FUN records, all fun. And they had a lot to say sociologically in our country and the world. The shot was fired here and heard around the world." "When Richard opened his mouth, man, everyone could enjoy it. He's got a voice that would make 'em jump up and down... that's the first time I ever saw spotlights and flicker lights used at a concert show. It had all been used in show business but he brought it into our world.
Little Richard
In 2000, in honour of the 25th anniversary of the Toronto International Film Festival, 10 preeminent Canadian filmmakers were asked to create short films. Staying true to her thematic preoccupation with artists, audiences and their relationship, Rozema's contribution was This Might Be Good, a six-minute wordless, experimental piece about hope — the hope of audiences, actors and filmmakers who gather around films at festivals.
Patricia Rozema
People in Hollywood are not showmen, they're maintenance men, pandering to what they think their audiences want.
Terry Gilliam
[On test audiences and alternate endings on DVDs] Seeing these two endings, knowing that the studio most likely chose the one that would close the film after polling test audiences, makes me a little ill. What if I did that with my novels? What would you think of me, if I were to so subvert the act of storytelling and mythmaking in an effort to make more money (by, I might add, perverting democracy)? Okay, at the end of Low Red Moon, I can kill Chance, or I can let her live. Which ending do you prefer? Check the box, and let us know. Should Orpheus make it back to the surface without looking to see if Eurydice is truly following him, or should he look? Should the mouse pull the thorn from the lion's paw, or should he mind his own damned business? I can only hope that it is self-evident that this process is as alien and destructive to art as anything ever could be. Yes, I'm sure it makes people more money, and money is nice, but it has very little to do with telling good and true and useful stories.
Caitlin R. Kiernan
Black, Lewis
Blackburn, Simon
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