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Kenneth Tynan

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Welles is at once as abnormal and as natural as Niagara Falls.
--
"Orson Welles" (1953), p. 65

 
Kenneth Tynan

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I've never had the impertinence to be sorry for Helen Keller. I'd as soon be sorry for Niagara Falls. But now as I bring the story up to date, I'm shriveled with shame when I recall that at times in my life — my easy life — I've actually been sorry for myself. You too? We've got our nerve, haven't we?

 
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I've never liked Welles as an actor, because he's not really an actor. In Hollywood you have two categories, you talk about actors and personalities. Welles was an enormous personality, but when he plays Othello, everything goes down the drain, you see, that's when he's croaks. In my eyes he's an infinitely overrated filmmaker.

 
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What is abnormal is that I am normal. That I survived the Holocaust and went on to love beautiful girls, to talk, to write, to have toast and tea and live my life — that is what is abnormal.

 
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...we are willing to admit the normality of the abnormal—are willing to admit that we never understood the normal better than when it has been allowed to reach its full growth and become the abnormal.

 
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He [Welles] was an onlooker at the clumsy, poignant suicide of "The Man on the Ledge," which took place in New York in 1938, when a boy perched for fourteen hours on a window-sill of the Gotham Hotel before plunging into the street. "I stood in the crowd outside for a long time," Welles says pensively, "and wanted to make a film of it all. But they tell me that in the Hollywood version of the film they gave the boy a reason for what he did. That's crazy. It's the crowd that needs explaining."

 
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