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Katya Chamma

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"We made music seated on the grass of Brasilia's super-squares, at home, at college. It was a creative time, more ingenuous, when the people amused more themselves, played more."
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Source: Interview at Recanto das Letras, 2007

 
Katya Chamma

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I remember, you know, you go to these parties on Saturday night and people would say, about 8:00 on Sunday morning "Whoa, I have to go - I gotta get to church!" People would say, "Why do you want to go to church, all those hypocrites." And I say, "Look, why do I want to stay here with all you hypocrites?"I never knew why going to church made you a hypocrite. They'd say because you go to church and you're all "Holy, Holy, Holy" for two or three hours, and then you go home and sin. I'd say "exactly!" For two or three hours you're doing pretty good! Maybe the problem isn't that you go to church, maybe the problem is that you go home! I never understood why going to church made you a hypocrite either, because nobody goes to church because they're perfect. If you've got it all together, you don't need to go. You can go jogging with all the other perfect people on Sunday morning Every time you go to church, you're confessing again to yourself, to your family, to the people you pass on the way there, to the people who will greet you there, that you don't have it all together. And that you need their support. You need their direction. You need some accountability, you need some help.

 
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I heard the soundtrack to The Celts TV programme, which Enya had done, and I thought "what's this magical music?", and it was such an antidote to the, sort of, the day's work, that every night I went home and played the soundtrack from The Celts. And then I met her in Ireland and she was telling me how she was signing to another record company, I went "no, no, no, no, you can't do this, you must sign with us." And I did it really just as a self-indulgence, that I thought this was beautiful music and wanted to be associated with it, there wasn't really a kind of commercial edge to it at all.

 
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I'll tell you what classical music is, for those of you who don't know. Classical music is this music that was written by a bunch of dead people a long time ago. And it's formula music, the same as top forty music is formula music. In order to have a piece be classical, it has to conform to academic standards that were the current norms of that day and age ... I think that people are entitled to be amused, and entertained. If they see deviations from this classical norm, it's probably good for their mental health.

 
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On the bus going home I heard a most fascinating conversation between an old man and woman. "What a thing, though," the old woman said. "You'd hardly credit it." "She's always made a fuss of the whole family, but never me," the old man said. "Does she have a fire when the young people go to see her?" "Fire?" "She won't get people seeing her without warmth." "I know why she's doing it. Don't think I don't," the old man said. "My sister she said to me, 'I wish I had your easy life.' Now that upset me. I was upset by the way she phrased herself. 'Don't talk to me like that,' I said. 'I've only got to get on the phone and ring a certain number,' I said, 'to have you stopped.'" "Yes," the old woman said, "And you can, can't you?" "Were they always the same?" she said. "When you was a child? Can you throw yourself back? How was they years ago?" "The same," the old man said. "Wicked, isn't it?" the old woman said. "Take care, now" she said, as the old man left her. He didn't say a word but got off the bus looking disgruntled.

 
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