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Joycelyn Elders

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How do you get rid of the trash? It's out there in society, it's going on every day […] You can educate children an awful lot easier than you can get rid of the trash.
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Sipchen, Bob (July 3, 1997). "Straight Talk From a Straight Shooter Journeys: Joycelyn Elders was known for her outspokenness during her run". Los Angeles Times: p. E-1. Retrieved on 2007-05-20. 

 
Joycelyn Elders

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It offended his sense of proportion and economy to throw away a ninety-percent serviceable string of lights. It offended his sense of himself, because he was an individual from an age of individuals, and a string of lights was, like him, an individual thing. No matter how little the thing had cost, to throw it away was to deny its value and, by extension, the value of individuals generally: to willfully designate as trash an object that you knew wasn't trash.

 
Jonathan Franzen
 

Reason, if consulted with, would advise, that their children's time should be spent in acquiring what might be useful to them when they come to be men, rather than to have their heads stuff'd with a deal of trash, a great part whereof they usually never do ('tis certain they never need to) think on again as long as they live: and so much of it as does stick by them they are only the worse for.

 
John Locke
 

I repeat Sturgeon's Revelation, which was wrung out of me after twenty years of wearying defense of science fiction against attacks of people who used the worst examples of the field for ammunition, and whose conclusion was that ninety percent of it is crud.
The Revelation: Ninety percent of everything is crud.
Corollary 1: The existence of immense quantities of trash in science fiction is admitted and it is regrettable; but it is no more unnatural than the existence of trash anywhere.
Corollary 2: The best science fiction is as good as the best fiction in any field.

 
Theodore Sturgeon
 

I was like a trash can -I took everything.

 
Nicole Richie
 

If we make any kind of decent, useful life for ourselves we have less need to run from it to those diminishing pleasures of the movies. When we go to the movies we want something good, something sustained, we don’t want to settle for just a bit of something, because we have other things to do. If life at home is more interesting, why go to the movies? And the theatres frequented by true moviegoers — those perennial displaced persons in each city, the loners and the losers — depress us. Listening to them — and they are often more audible than the sound track — as they cheer the cons and jeer the cops, we may still share their disaffection, but it’s not enough to keep us interested in cops and robbers. A little nose-thumbing isn’t enough. If we’ve grown up at the movies we know that good work is continuous not with the academic, respectable tradition but with the glimpses of something good in trash, but we want the subversive gesture carried to the domain of discovery. Trash has given us an appetite for art.

 
Pauline Kael
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