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John Steinbeck

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His ear heard more than was said to him, and his slow speech had overtones not of thought, but of understanding beyond thought.
--
Ch. 2, p. 35

 
John Steinbeck

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It is astonishingly beautiful and interesting, how thought is absent when you have an insight. Thought cannot have an insight. It is only when the mind is not operating mechanically in the structure of thought that you have an insight. Having had an insight, thought draws a conclusion from that insight. And then thought acts and thought is mechanical. So I have to find out whether having an insight into myself, which means into the world, and not drawing a conclusion from it is possible. If I draw a conclusion, I act on an idea, on an image, on a symbol, which is the structure of thought, and so I am constantly preventing myself from having insight, from understanding things as they are.

 
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I thought that it was the most predictable speech that we could have heard from the right hon. and learned Gentleman. He may want to pose as the nice Dr. Jekyll, but we know that, deep down, he is still the same old Mr. Howard.

 
Tony Blair
 

Haven't I? -- he thought. Haven't I thought of it since the first time I saw you? Haven't I thought of nothing else for two years?... He sat motionless, looking at her. He heard the words he never allowed himself to form, the words he had felt, known, yet had not faced, had hoped to destroy by never letting them be within his own mind, Now it was as sudden and shocking as if he were saying it to her…Since the first time I saw you.... Nothing but your body, that mouth of yours, and the way your eyes would look at me, if... Through every sentence I ever said to you, through every conference you thought were so safe, through the importance of all the issues we discussed... You trusted me, didn't you? To recognize greatness? To think of you as you deserved -- as if you were a man?

 
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Growing up the way we did, (Minutemen lead singer/guitarist) D. Boon and I never heard jazz until we heard punk, and then we thought it was the same thing, because the jazz we were hearing really wasn't Stan Getz, it was the f**kin' John Coltrane, Albert Ayler, Eric Dolphy, Ornette Coleman, it was wild and it made us crazy! We thought it was the same thing, just in an earlier time! For us, not being sophisticated and not knowing the chronologies and coming from Alice Cooper and Blue Oyster Cult, we really didn't understand this. The passion and all of that, we thought it was the same! We didn't see the color lines or whatever in the music, to us it was the same vibe!

 
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I adored this lady, and I respected her work ethic. She always wanted to improve her understanding of a piece. "Casta Diva", [for instance] — what interested me most was how she gave the runs and the cadenzas words. That always floored me. I always felt I heard her saying something — it was never just singing notes. That alone is an art. It’s an art that you can try to achieve, but you can’t copy, because that’s just imitating without delving into [how she felt] about that particular fioritura. ... how many other artists since Callas have you heard and thought, "She sang gorgeously, but I never cried?"

 
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