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John Maynard Keynes

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I don't feel the least humble before the vastness of the heavens.
--
F. P. Ramsey, p.310

 
John Maynard Keynes

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Vastness! and Age! and Memories of Eld!
Silence! and Desolation! and dim Night!
I feel ye now — I feel ye in your strength.

 
Edgar Allan Poe
 

All of us, without being taught, have attained to a belief in some sort of divinity, though it is not easy for all men to know the precise truth about it, nor is it possible for those who do know it to tell it to all men. … Surely, besides this conception which is common to all men, there is another also. I mean that we are all by nature so closely dependent on the heavens and the gods that are visible therein, that even if any man conceives of another god besides these, he in every case assigns to him the heavens as his dwelling-place; not that he thereby separates him from the earth, but he so to speak establishes the King of the All in the heavens as in the most honourable place of all, and conceives of him as overseeing from there the affairs of this world. What need have I to summon Hellenes and Hebrews as witnesses of this? There exists no man who does not stretch out his hands towards the heavens when he prays; and whether he swears by one god or several, if he has any notion at all of the divine, he turns heavenward. And it was very natural that men should feel thus.

 
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Ikenobo Sen'o, a master of flower arranging, once said (the remark is to be found in his Sayings): "With a spray of flowers, a bit of water, one evokes the vastness of rivers and mountains." The Japanese garden too, of course symbolizes the vastness of nature. The Western garden tends to be symmetrical, the Japanese garden asymmetrical, and this is because the asymmetrical has the greater power to symbolize multiplicity and vastness. The asymmetry, of course, rests upon a balance imposed by delicate sensibilities. Nothing is more complicated, varied, attentive to detail, than the Japanese art of landscape gardening. Thus there is the form called the dry landscape, composed entirely of rocks, in which the arrangement of stones gives expression to mountains and rivers that are not present, and even suggests the waves of the great ocean breaking in upon cliffs.

 
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I honestly feel very humble when I study Capablanca's games.

 
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The heavens have fallen on our heads! What a tremendous idea! It is the loftiest cry that life hurls. That was the cry of deliverance for which I had been groping until then. I had had a foreboding it would come, because a thing of glory like a poet's song always gives something to us poor living shadows, and human thought always reveals the world. But I needed to have it said explicitly so as to bring human misery and human grandeur together. I needed it as a key to the vault of the heavens.
These heavens, that is to say, the azure that our eyes enshrine, purity, plenitude — and the infinite number of suppliants, the sky of truth and religion. All this is within us, and has fallen upon our heads. And God Himself, who is all these kinds of heavens in one, has fallen on our heads like thunder, and His infinity is ours.

 
Henri Barbusse
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