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John Banville

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T. S. Eliot said it is no business of the artist to think. I presume he meant it's only the business of the artist to feel, but I like the notion of there being a mind behind the fiction that I read and that I write.

 
John Banville

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When you’re an artist, you don’t want to deal with business. The business nuances are incredibly difficult. But you need to understand a defunct system in order to make it work or change it, and that took me a lot of research. If you’re not willing to do that, I say you’re not ready.

 
Jessica Mae Stover
 

A craftsman knows in advance what the finished result will be, while the artist knows only what it will be when he has finished it. But it is unbecoming in an artist to talk about inspiration; that is the reader's business.

 
Wystan Hugh Auden
 

For the student of visionary art the interesting fact is that an image comes first and takes up residence in the mind long before the artist has any notion why it is there or what it means. Whether visions come from some great reservoir of symbolic images which are eternally there (and if one examines the recurrence of images in history this proposition is not quite as crazy as it sounds) or whether they are due to buried memories, their obsessive power over an artist's mind, and their clear, compulsive emergence in his work depends on a mental condition that can come and go. When, for some reason, they no longer present themselves to the mind's eye, alive or clamoring to be born, the visionary artist has a hard time — dark days. This is particularly true if he has lost the habit of feeding his mind on the observation of nature.

 
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The artist is the only one who knows that the world is a subjective creation, that there is a choice to be made, a selection of elements. It is a materialization, an incarnation of his inner world. Then he hopes to attract others into it. He hopes to impose his particular vision and share it with others. And when the second stage is not reached, the brave artist continues nevertheless. The few moments of communion with the world are worth the pain, for it is a world for others, an inheritance for others, a gift to others, in the end. When you make a world tolerable for yourself, you make a world tolerable for others.
We also write to heighten our own awareness of life. We write to lure and enchant and console others. We write to serenade our lovers. We write to taste life twice, in the moment, and in retrospection. We write, like Proust, to render all of it eternal, and to persuade ourselves that it is eternal. We write to be able to transcend our life, to reach beyond it. We write to teach ourselves to speak with others, to record the journey into the labyrinth. We write to expand our world when we feel strangled, or constricted, or lonely. We write as the birds sing, as the primitives dance their rituals. If you do not breathe through writing, if you do not cry out in writing, or sing in writing, then don't write, because our culture has no use for it. When I don't write, I feel my world shrinking. I feel I am in a prison. I feel I lose my fire and my color. It should be a necessity, as the sea needs to heave, and I call it breathing.

 
Anais Nin
 

'Now, it's just occurred to me that we're missing something crucial. Ah, yes, an artist! Bugg, have we a court artist? We need an artist! Find us an artist! Nobody move!'

 
Steven Erikson
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