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Jeanette Winterson

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I say I'm in love with her. What does that mean? It means I review my future and my past in the light of this feeling. It is though I wrote in a foreign language that I am suddenly able to read. Wordlessly, she explains me to myself. Like genius, she is ignorant of what she does.

 
Jeanette Winterson

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It was as if I suddenly went to a foreign country but didn’t know the language, but had read enough and had a passionate interest, and was eager to live there… …and master the language. (reacting on Pollocks 'Black and White'’ paintings show she saw in 1951 for the first time ed.)

 
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When a woman's heart is flowing over for the first time with deep and passionate love, she is all love. Every faculty of her soul rushes together in the intensity of the one feeling; thought, reflection, conscience, duty, the past, the future, they are names to her light as the breath which speaks them; her soul is full.

 
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We do not rest satisfied with the present. We anticipate the future as too slow in coming, as if in order to hasten its course; or we recall the past, to stop its too rapid flight. So imprudent are we that we wander in the times which are not ours, and do not think of the only one which belongs to us; and so idle are we that we dream of those times which are no more, and thoughtlessly overlook that which alone exists. For the present is generally painful to us. We conceal it from our sight, because it troubles us; and if it be delightful to us, we regret to see it pass away. We try to sustain it by the future, and think of arranging matters which are not in our power, for a time which we have no certainty of reaching. Let each one examine his thoughts, and he will find them all occupied with the past and the future. We scarcely ever think of the present; and if we think of it, it is only to take light from it to arrange the future. The present is never our end. The past and the present are our means; the future alone is our end. So we never live, but we hope to live; and, as we are always preparing to be happy, it is inevitable we should never be so. 172

 
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A critic can only review the book he has read, not the one which the writer wrote.

 
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You need to know at least one foreign language well enough so that you can read the best literature that that language has produced in the original, and so you carry on a reasonable conversation and have dreams in that language. There are several reasons why this is crucial, but the most important is perhaps this: you can never understand one language until you understand at least two.

 
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