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I’m especially interested in the music of John Cage.. ..I would like to do some experimenting with the relationship between his freeform sound and free-form art.
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John Adds Plaster Casts To Focus Target Paintings, Donald Key, Milwaukee Journal, 19 June 1960, pt. 5, p. 6

 

Jasper Johns

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I met him (Cunningham, fh) around 1953 after a performance I saw. He was teaching and making dances for his company and was already working with John Cage. What interested me initially wasn’t just the movement but also the music he worked with, which was unfamiliar to me.. ..Later Bob Rauschenberg had been doing sets and costumes for the Cunningham Company.. ..I can’t say exactly how, but for a period of time, Cage, Cunningham, Rauschenberg, and I saw each other frequently and exchanged ideas. John was very interested in presenting his ideas to other people, so it was impossible to be around and not to learn.. ..He could apply his ideas on space and time to painting, or music or architecture.. ..I don’t have a clear sense of cause and effect in my painting, but it is probably there.

 

Jasper Johns

 

"...We met in 1950, through John Cage, when I was sixteen and he in his early twenties. We were all doing work that was clearly different, newly different - from one another, but joined by our delight in each other's work (and by John Cage's organizing the concerts of it and a few musicians, David Tudor centrally, playing it), and by its difference from any other we knew. I still find mysterious his way of putting the music together, or rather of erasing any traces of a sense of its having been put together: it's just there. How does he do it? He's the only composer I know whose work seems made in a way that cannot be accounted for, explained, by any other means than the impossible one of becoming that composer oneself. He talked wonderfully, sharply, outrageously, but that wasn't quite his music. One thinks of the disparity of his large, strong presence and the delicate, hypersoft music, but in fact he too was, among other things, full of tenderness and the music is, among other things, as tough as nails." - Christian Wolff, Composer and Pianist

 

Morton Feldman

 

John Cage, composer, painter, and all-round thinker and cultural catalyst, said that if you introduce twenty percent of novelty into any artwork, watch out -- you are going to lose eighty percent of your audience at once. He said you would lose them for fifteen years. Cage was interested in fifteen-year cycles. But he was hopelessly optimistic. The general appreciation, for example, of Western painting has got stuck around Impressionism, and that was 130 years ago, not fifteen years ago.

 

Peter Greenaway

 

In this world, everything has a pulse or a vibration. This sound is unique to each living or non-living thing and in itself creates a music that no-one can hear. I believe that this has a very powerful resonance with, and a deep effect on, our lives. What would happen if we took this further and applied it to bigger things, more powerful things; like an entire solar system or galaxy say, what would that sound like?
Musica Universalis is the ancient theory that every celestial body, the sun, the moon and the stars, has an inner music. This is a harmonic and mathematical concept derived from the movements of the planets in the solar system. The music created is inaudible to the human ear.
Music of the Spheres is my interpretation of this theory. Every planet and every star; the whole universe has music within it that no-one can hear. This is what it would sound like if it was set free. This is Music of the Spheres. (from the introduction to Music of the Spheres)

 

Mike Oldfield

 

What is this thing called the existence? Is it all the things that we perceive it to be? Or is it something else? It's a gift. One of my favorite examples is the bird in the cage. You may think that you own the bird inside the cage, but you're wrong. You only own the cage. People think that they need to have a very fancy cage, that the more incredible the cage, the more incredible the bird will look. But the cage and the bird are really two different things. When the bird is gone, all that will be left is the cage.

 

Maharaji (Prem Rawat)