I don't think there's ever been such a clear choice between radicalism and moderation. I mean, we are dealing with a radical ideologue here.
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On the 2004 Presidential election. Rebecca Traister. Enough with the vaginas! Salon, 15 September 2004Jane Fonda
It is clear that the arm of criticism cannot replace the criticism of arms. Material force can only be overthrown by material force, but theory itself becomes a material force when it has seized the masses. Theory is capable of seizing the masses when it demonstrates ad hominem, and it demonstrates ad hominem as soon as it becomes radical. To be radical is to grasp things by the root. But for man the root is man himself. What proves beyond doubt the radicalism of German theory, and thus its practical energy, is that it begins from the resolute positive abolition of religion. The criticism of religion ends with the doctrine that man is the supreme being for man. It ends, therefore, with the categorical imperative to overthrow all those conditions in which man is an abased, enslaved, abandoned, contemptible being—conditions which can hardly be better described than in the exclamation of a Frenchman on the occasion of a proposed tax upon dogs: 'Wretched dogs! They want to treat you like men!'
Karl Marx
Nothing epitomizes Desmond Tutu's radicalism (using the word radical, as he likes to say, in the original sense of getting to the root of an issue) more than his views on the relationship of his faith to the faith of others.
Desmond Tutu
Dave was committed to making it a truly memorable weekend in the sense that he would remember nothing whatsoever about it. “It’s all about moderation,” he said, “Everything in moderation. Even moderation itself. From this it follows that you must from time to time, have excess. And this is going to be one of those occasions.”
Geoff Dyer
La modération des grands hommes ne borne que leurs vices. La modération des faibles est médiocrité.
Luc de Clapiers Vauvenargues
Every organization has two choices. Choice one is to grow. Choice two is to die. If you decide not to grow, it's a clear-cut message to talented people that it's time to leave.
Kenneth Griffin
Fonda, Jane
Fonteyn, Margot
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