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The viruses that co-opt the machinery of our cells; the stories we allow to enter and explain us.
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#27

 

James Richardson

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I cannot force it. I have never been able to force it. Like I've said before, writing is a wild magic (at least it is for me). It comes when it's ready, and then, if I'm lucky, I have some small say in where it goes and what it does. This is one reason I can't comprehend why some writers talk so much about "craft." Crafts are something you learn how to do. I never learned to write. I write better now than I did ten years ago, and far better than I did twenty years ago, but I'm not exactly sure why. To me, it is an almost ineffable thing. I try to explain what it is I do, and how it is I do it ... on those extremely rare occasions when I try to explain ... and, for me, it's like grasping at air. I have no craft talk, no theory, no dos and don'ts, no discernible process. I sit here in my chair at my desk in front of the iMac, and when I'm lucky, it happens. It's not so much that I think the "writing as craft" people are wrong. They can't be wrong, not if they are crafting stories and know they are crafting stories. But I don't craft stories. So, for me, we have here these two different paradigms. I spark. They craft. Two incommensurable world views. I cannot explain to them what it is that I do. I cannot even explain it to myself. And I cannot comprehend what they do.

 

Caitlin R. Kiernan

 

... the secret of the Great Stories is that they have no secrets. The Great Stories are the ones you have heard and want to hear again. The ones you can enter anywhere and inhabit comfortably. They don't deceive you with thrills and trick endings. They don't surprise you with the unforeseen.. They are as familiar as the house you live in. Or the smell of your lover's skin. You know how they end yet you listen as though you don't. In the way that you know that one day you will die, you live as though you won't. In the Great Stories you know who lives, who dies, who finds love, who doesn't. And yet you want to know again. That is their mystery and their magic. ...

 

Arundhati Roy

 

Cells are required to stick precisely to the point. Any ambiguity, any tendency to wander from the matter at hand, will introduce grave hazards for the cells, and even more for the host in which they live. Minor inaccuracies may cause reactions in which neighboring cells are recognized as foreign, and done in. There is a theory that the process of aging may be due to the cumulative effect of imprecision, a gradual degrading of information. It is not a system that allows for deviating.

 

Lewis Thomas

 

Richard Heffner: You say "We can create ourselves and our future"
Salk: — by shaping our selves not our cells — thats the important distinction. … We are shaping our cells, but we will not change our selves in the course of shaping our cells.

 

Jonas Salk

 

Like computer viruses, successful mind viruses will tend to be hard for their victims to detect. If you are the victim of one, the chances are that you won't know it, and may even vigorously deny it. Accepting that a virus might be difficult to detect in your own mind, what tell-tale signs might you look out for? I shall answer by imaging how a medical textbook might describe the typical symptoms of a sufferer (arbitrarily assumed to be male).

 

Richard Dawkins