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James Baldwin

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I began plotting novels at about the time I learned to read. The story of my childhood is the usual bleak fantasy, and we can dismiss it with the restrained observation that I certainly would not consider living it again.
--
"Autobiographical Notes" (1952); republished in Notes of a Native Son (1955)

 
James Baldwin

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There is a traditional story about Newton: as a young student, he began the study of geometry, as was usual in his time, with the reading of the Elements of Euclid. He read the theorems, saw that they were true, and omitted the proofs. He wondered why anybody should take pains to prove things so evident. Many years later, however, he changed his opinion and praised Euclid. The story may be authentic or not ...

 
Isaac Newton
 

As I read it, my ears opened up for the first time in my life and I began to hear Negroes... Above all, I began to hear for the first time the pure, deep dialect of my grandmother. And from that moment on, in all my attempts at writing I was able to tap that vast resevoir of living speech that went on about me.

 
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I have said that His Dark Materials is not fantasy but stark realism, and my reason for this is to emphasise what I think is an important aspect of the story, namely the fact that it is realistic, in psychological terms. I deal with matters that might normally be encountered in works of realism, such as adolescence, sexuality, and so on; and they are the main subject matter of the story — the fantasy (which, of course, is there: no-one but a fool would think I meant there is no fantasy in the books at all) is there to support and embody them, not for its own sake.

 
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Anyway, I was listening to Beagle answer a question on the panel, he said something along the lines of, "I'd never want to write The Last Unicorn again. It was excruciatingly hard, because I was writing a faerie tale while at the same time writing a spoof of a faerie tale."
I just sat there thunderstruck. I realized that's exactly what I had been doing for over a decade with my story. I was writing heroic fantasy, while at the same time I was satirizing heroic fantasy.
While telling his story, Kvothe makes it clear that he's not the storybook hero legends make him out to be. But at the same time, the reader sees that he's a hero nonetheless. He's just a hero of a different sort.

 
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