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Immanuel Kant

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For instance, if you have by a lie hindered a man who is even now planning a murder, you are legally responsible for all the consequences. But if you have strictly adhered to the truth, public justice can find no fault with you, be the unforeseen consequence what it may. It is possible that whilst you have honestly answered Yes to the murderer’s question, whether his intended victim is in the house, the latter may have gone out unobserved, and so not have come in the way of the murderer, and the deed therefore have not been done; whereas, if you lied and said he was not in the house, and he had really gone out (though unknown to you) so that the murderer met him as he went, and executed his purpose on him, then you might with justice be accused as the cause of his death. For, if you had spoken the truth as well as you knew it, perhaps the murderer while seeking for his enemy in the house might have been caught by neighbours coming up and the deed been prevented

 
Immanuel Kant

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From the fact that many libertarians believe that the state has no legitimacy, they arrive at the position that anything the state does is illegitimate. This is a logical confusion. Consider the murderer who happens on a scene of a rape while fleeing the law, saves the woman, and pounds the rapist. Is this good deed illegitimate because performed by a murderer?

 
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I say to you today that I still stand by nonviolence. And I am still convinced that it is the most potent weapon available to the Negro in his struggle for justice in this country. And the other thing is that I am concerned about a better world. I'm concerned about justice. I'm concerned about brotherhood. I'm concerned about truth. And when one is concerned about these, he can never advocate violence. For through violence you may murder a murderer but you can't murder murder. Through violence you may murder a liar but you can't establish truth. Through violence you may murder a hater, but you can't murder hate. Darkness cannot put out darkness. Only light can do that.

 
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"Noah is a revolutio of Adam, as Moses is a revolutio of Abel and Seth," says the Kabala; that is to say, a repetition or another version of the same story. The greatest proof of it is the distribution of the characters in the Bible. For instance, beginning with Cain, the first murderer, every fifth man in his line of descent is a murderer. Thus there come Enoch, Irad, Mehujael, Methuselah, and the fifth is Lamech, the second murderer, and he is Noah's father. By drawing the five-pointed star of Lucifer (which has its crown-point downward) and writing the name of Cain beneath the lowest point, and those of his descendants successively at each of the other points, it will be found that each fifth name — which would be written beneath that of Cain — is that of a murderer. In the Talmud this genealogy is given complete, and thirteen murderers range themselves in line below the name of Cain. This is no coincidence. Siva is the Destroyer, but he is also the Regenerator. Cain is a murderer, but he is also the creator of nations, and an inventor. This star of Lucifer is the same one that John sees falling down to earth in his Apocalypse.

 
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A murderer is regarded by the conventional world as something almost monstrous, but a murderer to himself is only an ordinary man.... It is only if the murderer is a good man that he can be regarded as monstrous.

 
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Zola, who has so faithfully described the impulse to commit murder, did not himself commit a murder, because there were so many other characters in him. The actual murderer is in the grasp of his own disposition: the author describing the murder is swayed by a whole kingdom of impulses. Zola would know the desire for murder much better than the actual murderer would know it, he would recognise it in himself, if it really came to the surface in him, and he would be prepared for it. In such ways the criminal instincts in great men are intellectualised and turned to artistic purposes as in the case of Zola, or to philosophic purposes as with Kant, but not to actual crime.

 
Otto Weininger
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