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Horace Walpole

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Allen of Bath procured them the same honours from thence; and for some weeks it rained gold boxes: Chester, Worcester, Norwich, Bedford, Salisbury, Yarmouth, Tewkesbury, Newcastle-on-Tyne, Stirling, and other populous and chief towns following the example. Exeter, with singular affection, sent boxes of heart of oak.
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"The sending of boxes to William Pitt in 1757" in Memoirs of the Reign of King George II (London, 1846–47), Vol. II, p. 202.

 
Horace Walpole

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Maybe we should develop a Crayola bomb as our next secret weapon. A happiness weapon. A Beauty Bomb. And every time a crisis developed, we would launch one. It would explode high in the air — explode softly — and send thousands, millions, of little parachutes into the air. Floating down to earth — boxes of Crayolas. And we wouldn't go cheap either — not little boxes of eight. Boxes of sixty-four, with the sharpener built right in. With silver and gold and copper, magenta and peace and lime, amber and umber and all the rest. And people would smile and get a little funny look on their faces and cover the world with imagination instead of death. A child who touched one wouldn't have his hand blown off.

 
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After that, I was on the right track to the city centre, where there was enough light to distinguish people from letter boxes. The letter boxes, in my perhaps embittered view, had warmer personalities than the people.

 
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I was looking for some sort of systematic way of getting down these subjective images and I had always admired, particularly admired the early Italian painters who proceeded the Renaissance and I very much liked some of the altarpieces in which there would be, for example the story of Christ told in a series of boxes... And it seemed to me this was a very rational method of conveying something. So I decided to try it. But I was not interested in telling, in giving something its chronological sequence. What I wanted to do was give something, to present what material I was interested in simultaneously so that you would get an instantaneous impact from it. So, I made boxes..

 
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I was looking for some sort of systematic way of getting down these subjective images and I had always admired, particularly admired the early Italian painters who proceeded the Renaissance and I very much liked some of the altarpieces in which there would be, for example the story of Christ told in a series of boxes.. ..And it seemed to me this was a very rational method of conveying something. So I decided to try it. But I was not interested in telling, in giving something its chronological sequence. What I wanted to do was give something, to present what material I was interested in simultaneously so that you would get an instantaneous impact from it. So I made boxes..

 
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But I wonder if people do not attach too much importance to the first-name habit? Every man and woman is a mystery, built like those Chinese puzzles which consist of one box inside another, so that ten or twelve boxes have to be opened before the final solution is found. Not more than two or three people have ever penetrated beyond my outside box, and there are not many people whom I have explored further; if anyone imagines that being on first-name terms with somebody magically strips away all the boxes and reveals the inner treasure he still has a great deal to learn about human nature. There are people, of course, who consist only of one box, and that a cardboard carton, containing nothing at all.

 
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