Friday, November 15, 2019 Text is available under the CC BY-SA 3.0 licence.

Hiromu Arakawa

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Arakawa: The manga artist that I look up to the most is Suiho Tagawa, the author of Norakuro. He is the root of my style as an artist. I also love Rumiko Takahashi and Kinnikuman or Ultimate Muscle by Yudetamago. As far as composition and how to draw, I learned that when I was apprenticed to Hiroyuki Eto, the author of Mahoujin Guru Guru for Shonen GanGan.

Hiromu Arakawa

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(Man in suit to Indian woman) Oh guru, ancient mother of the world, we men have been crippled. We have never learned how to feel; we don't even know how to cry. Oh my wise guru, can you teach me to cry? (Guru) Sure. No problem. Tomorrow I'll start you at a dead-end job, pay you at women's wages and then I'll throw in sole support of a pre-school child. (pp. 198-199)

Nicole Hollander

Where does Guru Maharaj Ji fit in? Guru Maharaj Ji doesn't fit in anywhere. Guru Maharaj Ji is Knowledge. It is Guru Maharaj Ji's Knowledge. ... Who are you going to do service to, for? Guru Maharaj Ji. What are you going to meditate on? The Holy Name, which is Guru Maharaj Ji.

Maharaji (Prem Rawat)

Although he reputedly hated the label of ‘guru’, Peter Drucker was, by any standards, the greatest management guru the world has yet seen. In 1996, the McKinsey Quarterly journal described him as the ‘the one guru to whom other gurus kowtow’ and Robert Heller described him as ‘the greatest man in the history of management’, praise indeed for a man who described himself as ‘just an old journalist’.

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How can one be compassionate if you belong to any religion, follow any guru, believe in something, believe in your scriptures, and so on, attached to a conclusion? When you accept your guru, you have come to a conclusion, or when you strongly believe in god or in a saviour, this or that, can there be compassion? You may do social work, help the poor out of pity, out of sympathy, out of charity, but is all that love and compassion?

Jiddu Krishnamurti

A creative artist works on his next composition because he is not satisfied with his previous one. When he loses a critical attitude toward his own work, he ceases to be an artist.

Dmitri Shostakovich
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