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Henry James

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It took me years to ascertain that Henry James' work was giving me little pleasure: In each case I ask myself: "What the dickens is this novel about, and where does it think it's going to?" Question unanswerable! I gave up. To-day I have no recollection whatever of any characters of any events in either novel.
--
Arnold Bennett, in Arnold Bennett: The Evening Standard Years, ed. A. Mylett (1974)

 
Henry James

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Why do the characters in Jane Austen give us a slightly new pleasure each time they come in, as opposed to the merely repetitive pleasure that is caused by a character in Dickens? Why do they combine so well in a conversation, and draw one another out, without seeming to do so, and never perform? The answer to this question can be put in several ways; that, unlike Dickens, she was a real artist, that she never stooped to caricature, etc. But the best reply is that her characters, though smaller than his, are more highly organized. They function all round, and even if her plot made greater demands on them than it does, they would still be adequate.

 
Jane Austen
 

The question, "How well does one read?" is a bad question... essentially unanswerable. A more proper question is "How well does one read poetry, or history, or science, or religion?" No one I have ever known is so brilliant as to have learned the languages of all fields of knowledge equally well. Most of us do not learn some of them at all.

 
Neil Postman
 

They will ask: "Who gave you the Teaching?"
Answer: "The Mahatma of the East."
They will ask: "Where does He live?"
Answer: "The abode of the Teacher not only cannot be made known but cannot even be uttered. Your question shows how far you are from the understanding of the Teaching. Even humanly you must realize how wrong your question is."
They will ask: "When can I be useful?"
Answer: "From this hour unto eternity."
"When should I prepare myself for labor?"
"Lose not an hour!"
"And when will the call come?"
"Even sleep vigilantly."
"How shall I work until this hour?"
"Enhancing the quality of labor."

 
Nicholas Roerich
 

If we recognize, following the materialist theories, that only the physical nature exist, and that man contain ("renferme", Fr.) no higher essence, divine, which, by one side of his being, raise (promote or improve...) him above his animal nature, it would be a question ("il ne saurait ?tre question", Fr.) neither of obligation, nor of moral responsability; then the supreme good would consist for him, indeed, to satisfy his appetites and his natural inclinations (fondness or partiality, -"penchant", Fr.), to look for the pleasure and flee from (scud, shun, avoid, -"fuir", Fr.) pain. In this case, there could be neither religion nor moral, since religion is precisely what raise man above vulgar (or common, - "vulgaire", Fr.) reality, and that moral is the very negation of selfishness.

 
African Spir
 

Must an artist live in the world or out of it? I believe this to be an unanswerable question. Total retirement, natural to the Saint, is injurious to most artists. They work marvelously so long as there are materials at hand. Goethe has further advice: "Solitude is a wonderful thing when one is at peace with oneself and when there is a definite task to be accomplished."

 
Andre Maurois
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