I simply put down colours which render my sensation.

 

I simply put down colours which render my sensation.

 

Henri Matisse

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Nothing is important save the spiritual state that enables one to subjectify one's thoughts to a sensation and to think only of the sensation, all the while searching to express it.

 

Edouard Vuillard

 

The Common Sense, is that which judges of things offered to it by the other senses. The ancient speculators have concluded that that part of man which constitutes his judgment is caused by a central organ to which the other five senses refer everything by means of impressibility; and to this centre they have given the name Common Sense. And they say that this Sense is situated in the centre of the head between Sensation and Memory. And this name of Common Sense is given to it solely because it is the common judge of all the other five senses i.e. Seeing, Hearing, Touch, Taste and Smell. This Common Sense is acted upon by means of Sensation which is placed as a medium between it and the senses. Sensation is acted upon by means of the images of things presented to it by the external instruments, that is to say the senses which are the medium between external things and Sensation. In the same way the senses are acted upon by objects. Surrounding things transmit their images to the senses and the senses transfer them to the Sensation. Sensation sends them to the Common Sense, and by it they are stamped upon the memory and are there more or less retained according to the importance or force of the impression.

 

Leonardo da Vinci

 

I could compare my music to white light which contains all colours. Only a prism can divide the colours and make them appear; this prism could be the spirit of the listener.

 

Arvo Part

 

Its enduring value was simply a deeper understanding of the central concepts of mathematics and their basic laws and interrelationships. Their total translatability into just elementary logic and a simple familiar two-place predicate, membership, is of itself a philosophical sensation.

 

Bertrand Russell

 

Fine colour implies a unified relationship, in which each part is subordinate to the whole, and the transitions between them are felt to be as precious and beautiful as the colours themselves. In fact, the colours themselves must be continuously modified and broken as part of the transition. Ruskin said in his Elements of Drawing, "Give me some mud off a city crossing, some ochre out of a gravel-pit, a little whitening, and some coal dust, and I will paint you a luminous picture, if you give me time to gradate my mud, and subdue my dust." In many works by the greatest colourists — Rembrandt and Watteau are examples — there are very few identifiable colours.

 

Kenneth Clark