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Harriet Beecher Stowe

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In the old times, women did not get their lives written, though I don't doubt many of them were much better worth writing than the men's.
--
The Pearl of Orr's Island : A Story of the Coast of Maine (1862).

 
Harriet Beecher Stowe

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Now I must, I suppose, explain why I have been writing this account. [...] I have written to disclose myself to myself, and I am writing now because I will, I know, sometime read what I am now writing and wonder. Perhaps by the time I do, I will have solved the mystery of myself, or perhaps I will no longer care to know the solution.

 
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Doris Lessing was nothing less than the goddess of literature herself for young women like myself aspiring to write in the 1970s. Her classic, The Golden Notebook, directly addressed the contradictions in women's lives in a way that was sophisticated, insightful and dispassionate.... When I started writing novels in the early 1980s, I often felt pressure from women to depict wholesome female role models. The pressure never worked, partly because Doris Lessing had gone before and blazed a path for all of us as readers, as women, as people.

 
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Bad writing days are days when you mean to write and can't, or are interrupted so frequently that nothing gets done. I'm disheartened at how often I see the blogs of aspiring writers bemoaning how slowly a book or story is coming along. They have somehow gotten it in their heads that writing is a thing done quickly, efficiently, like an assembly line with lots of shiny robotic workers. The truth, of course, is that writing is usually slow, and inefficient, and more like trying to find a cube of brown Jello that someone's carelessly dropped into a pig sty. Five hundred words in a day is good. So is a thousand. Or fifteen hundred. A good writing day is a day when one has written well, and the word counts be damned. Finishing is not the goal. Doing the job well is the goal. And I say that as someone with no means of financial support but her writing, as someone who is woefully underpaid for her writing, and as someone with so many deadlines breathing down her neck that she can no longer tell one breather from the other. Sometimes, I forget this, that daily word counts are irrelevant, that writing is not a race to the finish line. One need only write well if one wishes to be a writer. A day when one does not do her best merely so that more may be written, that's a bad writing day.

 
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I had to resign myself, many years ago, that I'm not too articulate when it comes to explaining how I feel about things. But my music does it for me, it really does. There, in the chords and melodies, is everything I want to say. The words just jolly it along. It's always been my way of expressing what for me is inexpressible by any other means.
What is very enlightening for me right now is that I sense that I'm arriving at a place of peace with my writing that I've never experienced before. I think I'm going to be writing some of the most worthwhile things that I've ever written in the coming years. I'm very confident and trusting in my abilities right now. But I've got to think of myself as the luckiest guy. Robert Johnson only had one album's worth of work as his legacy. That's all that life allowed him.

 
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Anna’s reaction is more complex than you might imagine, and it’s at such a moment you appreciate the woman in the writer-director’s chair. Women, I suspect, are more likely than men to view sex from the over-all perspective of what we may call their lives. In a country like Saudi Arabia, whose citizens express discomfort about men and women even attending movies together, I have little doubt which gender is more concerned.

 
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