A woman's pleasure is not dependent upon the presence of a penis in the vagina; neither is a man's.
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Abortion (pg. 95)Germaine Greer
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Woman's reproductive organs are far older than man's and far more highly evolved. Even in the lowest mammals, as well as in woman, the ovaries, uterus, vagina, etc., are similar, indicating that the female reproductive system was one of the first things perfected by nature. On the other hand, the male reproductive organs, the testicles and the penis, vary as much among species and through the course of evolution as does the shape of the foot — from hoof to paw. Apparently, then, the male penis evolved to suit the vagina, not the vagina to suit the penis.
Elizabeth Gould Davis
Probably no theory evolved by man is as absurd as Sigmund Freud's theory of penis envy. To a woman, the penis and scrotum seem superfluous to man's otherwise neatly constructed body. They are almost untidy. She cannot understand that after use the penis is not retractable like an aerial on a portable radio. And as for envy — it would never occur, even to a little girl. Not in her deepest unconscious would she wish to possess a penis; and as to being at a disadvantage compared to a little boy, that is nonsense, for she gets preferential treatment anyway.
Freud was merely the victim of training by woman's self-abasement techniques — thanks to his mother, wife, and probably his daughters as well. He confused cause and effect; a woman only says she is worth less than a man. She doesn't really think it. If anyone ought to feel a sense of envy, it is men. They should be jealous of women's power. But, of course, they never are, for they glory in their powerlessness.Sigmund Freud
The toothed vagina is no sexist hallucination: every penis is made less by every vagina, just as mankind, male and female, is devoured by mother nature. The vagina dentata is part of the Romantic revival of pagan myth. It subliminally present in Poe’s voracious maelstrom and dank, scythe-swept pit. It overtly appears in the bible of French Decadence, Huysmans’s A Rebours (1884), where a dreamer is magnetically drawn towards mother nature’s open thighs, the “bloody depths” of a carnivorous flower rimmed by “swordblades.”
Camille Paglia
Greer, Germaine
Greer, Steven M.
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