Monday, October 22, 2018 Text is available under the CC BY-SA 3.0 licence.

George W. S. Trow

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…the film [Elvis ’56] is moving to me because it shows his vital uniqueness walking—a new kind of old American, innocent, with old American experience, and that’s always been our formula, our innocence, plus a unique kind of experience that other people haven’t had in other lands—walking with all of that, plus physical beauty, into Rear Window—down-the-drain-land.

George W. S. Trow

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Whitman thought he was not abolishing beauty but generalizing it. So, for generations, did the most gifted American photographers, in their polemical pursuit of the trivial and the vulgar. But among American photographers who have matured since World War II, the Whitmanesque mandate to record in its entirety the extravagant candors of actual American experience has gone sour. In photographing dwarfs, you don't get majesty & beauty. You get dwarfs.

Susan Sontag

People walking?
Karma walking …
Buddha nature walking..!

Frederick Franck

When we hold to the core, the opposite sides are the same if they are seen from the center of the moving circle. I do not experience; I am experience. I am not the subject of experience; I am that experience. I am awareness. Nothing else can be I or can exist.

Bruce Lee

Whitman to me is the most fascinating of American poets. Whitman started to write the great poetry from scratch after he had written all that junk for newspapers, the sentimental lyrical poems. All of a sudden he wrote Leaves of Grass. When I was teaching at the University of Nebraska, my friend James Miller was chairman of the English Department. He wrote the first book attempting to make a parallel between the structure of Leaves of Grass and the steps of the mystical experience as in St. John of the Cross. I was completely bowled over by this, not having been able to explain how Whitman came to write “Song of Myself,” which is unlike anything not only in American literature, but unique in all the world. The parallels to it are mystical literature. Miller tried to show that there was actual evidence for this kind of experience, which evidently happens at a particular moment in someone’s life. … When I saw the negative reaction to Whitman with the great ruling critics of the time, I couldn’t believe it. Eliot never really gave up hammering away on Whitman, neither did Pound. Although Pound makes little concessions. Whitman, you know, didn’t have any influence in this country until Allen Ginsberg came along.

Walt Whitman

The most beautiful things in this country have the flavor of other places. Chinese food. Pizza came from the Italians, but it's an American experience. French fries. There's always some other cultures involved. You don't have to be a hyphenated American, but you can certainly be an American who doesn't forget where they came from.

Gloria Estefan
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