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Georg Christoph Lichtenberg

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We can see nothing whatever of the soul unless it is visible in the expression of the countenance; one might call the faces at a large assembly of people a history of the human soul written in a kind of Chinese ideograms.
--
B 11

 
Georg Christoph Lichtenberg

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The history of a man's soul, even the pettiest soul, is hardly less interesting and useful than the history of a whole people; especially when the former is the result of the observations of a mature mind upon itself, and has been written without any egotistical desire of arousing sympathy or astonishment. Rousseau's Confessions has precisely this defect – he read it to his friends.

 
Mikhail Lermontov
 

The archangel Michael took supreme command. He reassured their minds by his serenity. His countenance, wherein his soul was visible, expressed contempt for danger.

 
Michael (archangel)
 

I shall suggest in a few words the danger that faces a person in the moment of despair, the reef on which he can be stranded and utterly shipwrecked. The Bible says: For what would it profit a person if he gained the whole world but damaged his own soul; what would he have in return? Scripture does not state the antithesis to this, but it is implicit in the sentence. The antitheses would read something like this: What damage would there be to a person if he lost the whole world and yet did not damage his soul; what would he need in return? There are expressions that in themselves seem simple and yet fill the soul with a strange anxiety, because they almost become more obscure the more one thinks about them. In the religious sphere, the phrase “sin against the Holy Spirit” is such an expression. I do not know whether theologians are able to give a definite explanation of it, but then I am only a layman. But the phrase “to damage one’s soul” is an esthetic expression, and the person who thinks he has an ethical life-view must also think he is able to explain it. We often hear the words used, and yet anyone who wants to understand them must have experienced the deep movements of his soul-indeed, he must have despaired, for it is actually the movements of despair that are described here: on the one side the whole world, on the other side one’s own soul. You will readily perceive, if we pursue this expression, that we arrive at the same abstract definition of “soul” at which we arrived earlier in the definition of the word “self” in the psychological consideration of wishing, without, however, wanting to become someone else. In other words, if I can gain the whole world and yet damage my soul, the phrase “the whole world” must include all the finite things that I possess in my immediacy. Then my soul proves to be indifferent to these things. If I can lose the whole world without damaging my soul, the phrase “the whole world” again includes all the finite qualifications that I possess in my immediacy, and yet if my soul is undamaged it is consequently indifferent toward them. I can lose my wealth, my honor in the eyes of others, my intellectual capacity; and yet not damage my soul: I can gain it all and yet be damaged. What, then, is my soul? What is this innermost being of mine that is undismayed by this loss and suffers damage by this gain?

 
Soren Aabye Kierkegaard
 

Saying that what we call our “selves” consist only of our bodies and that reason, soul, and love arise only from the body, is like saying that what we call our body is equivalent to the food that feeds the body. It is true that my body is only made up of digested food and that my body would not exist without food, but my body is not the same as food. Food is what the body needs for life, but it is not the body itself. The same thing is true of my soul. It is true that without my body there would not be that which I call my soul, but my soul is not my body. The soul may need the body, but the body is not the soul.

 
Leo Tolstoy
 

It came to me in the very horror of the immediate presence that the act would be, seeing and facing what I saw and faced, to keep the boy himself unaware. The inspiration—I can call it by no other name—was that I felt how voluntarily, how transcendently, I might. It was like fighting with a demon for a human soul, and when I had fairly so appraised it I saw how the human soul—held out, in the tremor of my hands, at arm's length—had a perfect dew of sweat on a lovely childish forehead.

 
Henry James
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