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We are wont to call that human reasoning which we apply to Nature the anticipation of Nature (as being rash and premature) and that which is properly deduced from things the interpretation of Nature.

 

Francis Bacon

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If you condemn painting, which is the only imitator of all visible works of nature, you will certainly despise a subtle invention which brings philosophy and subtle speculation to the consideration of the nature of all forms — seas and plains, trees, animals, plants and flowers — which are surrounded by shade and light. And this is true knowledge and the legitimate issue of nature; for painting is born of nature — or, to speak more correctly, we will say it is the grandchild of nature; for all visible things are produced by nature, and these her children have given birth to painting. Hence we may justly call it the grandchild of nature and related to God.

 

Leonardo da Vinci

 

God is the great mysterious motivator of what we call nature and it has been said often by philosophers, that nature is the will of God. And, I prefer to say that nature is the only body of God that we shall ever see. If we wish to know the truth concerning anything, we'll find it in the nature of that thing.

 

Frank Lloyd Wright

 

Animals and plants are living effects of Nature; this Nature... is none other than God in things... Whence all of God is in all things... Think thus, of the sun in the crocus, in the narcissus, in the heliotrope, in the rooster, in the lion…. To the extent that one communicates with Nature, so one ascends to Divinity through Nature.

 

Giordano Bruno

 

A highly developed moral nature joined to an undeveloped intellectual nature, an undeveloped artistic nature, and a very limited religious nature, is of necessity repulsive. It represents a bit of human nature — a good bit, of course, but a bit only — in disproportionate, unnatural and revolting prominence.

 

Walter Bagehot

 

The History of Electricity is a field full of pleasing objects, according to all the genuine and universal principles of taste, deduced from a knowledge of human nature. Scenes like these, in which we see a gradual rise and progress in things, always exhibit a pleasing spectacle to the human mind. Nature, in all her delightful walks, abounds with such views, and they are in a more especial manner connected with every thing that relates to human life and happiness; things, in their own nature, the most interesting to us. Hence it is, that the power of association has annexed crowds of pleasing sensations to the contemplation of every object, in which this property is apparent.
This pleasure, likewise, bears a considerable resemblance to that of the sublime, which is one of the most exquisite of all those that affect the human imagination. For an object in which we see a perpetual progress and improvement is, as it were, continually rising in its magnitude; and moreover, when we see an actual increase, in a long period of time past, we cannot help forming an idea of an unlimited increase in futurity; which is a prospect really boundless, and sublime.

 

Joseph Priestley