The use of this feigned history hath been to give some shadow of satisfaction to the mind of man in those points wherein the nature of things doth deny it, the world being in proportion inferior to the soul; by reason whereof there is, agreeable to the spirit of man, a more ample greatness, a more exact goodness, and a more absolute variety, than can be found in the nature of things. Therefore, because the acts or events of true history have not that magnitude which satisfieth the mind of man, poesy feigneth acts and events greater and more heroical: because true history propoundeth the successes and issues of actions not so agreeable to the merits of virtue and vice, therefore poesy feigns them more just in retribution, and more according to revealed providence: because true history representeth actions and events more ordinary, and less interchanged, therefore poesy endueth them with more rareness, and more unexpected and alternative variations: so as it appeareth that poesy serveth and conferreth to magnanimity, morality, and to delectation. And therefore it was ever thought to have some participation of divineness, because it doth raise and erect the mind, by submitting the shows of things to the desires of the mind; whereas reason doth buckle and bow the mind into the nature of things.
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Book II, iv, 2.Francis Bacon
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Next in order comes knowledge of the first cause and the subsequent orders of the Gods, then the nature of the world, the essence of intellect and of soul, then providence, fate, and fortune, then to see virtue and formed from them, and from what possible source evil came into the world.
Each of these subjects needs many long discussions; but there is perhaps no harm in stating them briefly, so that a disciple may not be completely ignorant about them.
It is proper to the first cause to be one — for unity precedes multitude — and to surpass all things in power and goodness. Consequently all things must partake of it. For owing to its power nothing else can hinder it, and owing to its goodness it will not hold itself apart.
If the first cause were soul, all things would possess soul. If it were mind, all things would possess mind. If it were being, all things would partake of being. And seeing this quality in all things, some men have thought that it was being. Now if things simply were, without being good, this argument would be true, but if things that are are because of their goodness, and partake in the good, the first thing must needs be both beyond-being and good. It is strong evidence of this that noble souls despise being for the sake of the good, when they face death for their country or friends or for the sake of virtue. — After this inexpressible power come the orders of the Gods.Sallustius (or Sallust)
Wilhelm Meister's Apprenticeship may be called throughout prosaic and modern. The Romantic sinks to ruin, the Poesy of Nature, the Wonderful. The Book treats merely of common worldly things: Nature and Mysticism are altogether forgotten. It is a poetised civic and household History; the Marvellous is expressly treated therein as imagination and enthusiasm. Artistic Atheism is the spirit of the Book. ... It is properly a Candide, directed against Poetry: the Book is highly unpoetical in respect of spirit, poetical as the dress and body of it are.
Novalis
Human nature, human nature acts as it acts when it is identified when there is an identity but it is not human nature that has anything to do with that it is that anybody is there where they are, it is that that has to do with identity, with government and propaganda with history with individualism and with communism but it has nothing nothing to do with the human mind ... because the human mind writes what there is and what has identity go to do with that ... nothing at all.
Gertrude Stein
Since my logic aims to teach and instruct the understanding, not that it may with the slender tendrils of the mind snatch at and lay hold of abstract notions (as the common logic does), but that it may in very truth dissect nature, and discover the virtues and actions of bodies, with their laws as determined in matter; so that this science flows not merely from the nature of the mind, but also from the nature of things.
Francis Bacon
For the student of visionary art the interesting fact is that an image comes first and takes up residence in the mind long before the artist has any notion why it is there or what it means. Whether visions come from some great reservoir of symbolic images which are eternally there (and if one examines the recurrence of images in history this proposition is not quite as crazy as it sounds) or whether they are due to buried memories, their obsessive power over an artist's mind, and their clear, compulsive emergence in his work depends on a mental condition that can come and go. When, for some reason, they no longer present themselves to the mind's eye, alive or clamoring to be born, the visionary artist has a hard time — dark days. This is particularly true if he has lost the habit of feeding his mind on the observation of nature.
Kenneth Clark
Bacon, Francis
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