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No one is truly literate who cannot read his own heart.
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Section 159

 

Eric Hoffer

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Montaigne speak of an “Abecedarian” ignorance that precedes knowledge, and a doctoral ignorance that comes after it. The first is the ignorance of those who, not knowing their A-B-C’s, cannot read at all. The second is the ignorance of those who have misread many books. They are, as Alexander Pope rightly calls them, “bookful blockheads, ignorantly read.” There have always been literate ignoramuses, who have read too widely, and not well. The Greeks had a name for such a mixture of learning and folly which might be applied to the bookish but poorly read of all ages. They are all “sophomores.”

 

Mortimer Adler

 

Reading implies a use of the reflective faculty, and very few have that faculty developed much beyond the anthropoid stage, let alone possessing it at a stage of development which makes reading practicable.
As I said, the fact that few literate persons can read is easily determinable by experiment. What first put me on track of it was a remark by one of my old professors. He said that there were people so incompetent, so given to reading with their eyes and their emotions instead of with their brains, that they would accuse the Psalmist of atheism because he had written, "The fool hath said in his heart, There is no God." The remark stuck by me, and I remember wondering at the time whether the trouble might be that such people hardly had the brains to read with. It seemed possible.

 

Albert Jay Nock

 

Here's a tip I've never used: I understand you can learn a great deal of girldom by reading Pride and Prejudice, and I own a copy, but I have never read it. I tried. It was given to me by a girl with a little not inside that read: What is in this book is the heart of a woman. I am sure the heart of a woman is pure and lovely, but the first chapter of said heart is hopelessly boring.

 

Don Miller

 

In every literate society, learning to read is something of an initiation, a ritualized passage out of a state of dependency and rudimentary communication.

 

Alberto Manguel

 

It is a loose book, impressionistic, hardly coherent as a continuous narrative. It is full of descriptions of court life, and the retelling of court gossip and descriptions of fashionable shrines and how to get there by the most elegant means. It is a piece of writing replete with those typical Japanese wistful and melancholic evocations of ephemerality. It was written a thousand years ago almost exactly to the year the film was made, and it was written by a woman. To be literate a thousand years ago in the West was pretty uncommon; to be literate and a woman, very unlikely; to be literate, female, and quite brilliant, a well-nigh Western impossibility.

 

Sei Shonagon