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Elvis Presley

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Elvis Presley`s talent as a musical artist was double barrelled and more; his voice, on the one hand, was extraordinary for its quality, range and power, as well as being a unique stage performer with instinctive natural abilities in both areas; he was the master of a wide and diverse range of vocal stylings and ventriloquist effects, from the clear tenor of his C&W heroes, to the vibrato of the Gospel singers he loved, his voice invariably possessing an aching sincerity and an indefinable quality of yearning virtually impossible to pigeonhole.
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From the U.S Department of the Interior`s paper on criteria for greatness as a vocalist, which, together with all aspects of his life and legacy, led to the inclusion of his home, Graceland, in the National Register of Historic Places, in 2006.

 
Elvis Presley

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Elvis Presley has been described variously as a baritone and a tenor. An extraordinary compass- the so-called register-, and a very wide range of vocal color have something to do with this divergence of opinion. The voice covers two octaves and a third, from the baritone low-G to the tenor high B, with an upward extension in falsetto to at least a D flat. Presley's best octave is in the middle, D-flat to D-flat, granting an extra full step up or down. Call him a high baritone. In "It's'now or never", (1960), he ends it in a full voice cadence (A, G, F), that has nothing to do with the vocal devices of R&B and Country. That A-note is hit right on the nose, and it is rendered less astonishing only by the number of tracks where he lands easy and accurate B-flats. Moreover, he has not been confined to one type of vocal production. In ballads and country songs he belts out full-voiced high G's and A's that an opera baritone might envy. He is a naturally assimilative stylist with a multiplicity of voices - in fact, Elvis' is an extraordinary voice, or many voices.

 
Elvis Presley
 

Having watched Elvis onstage during his entire career, I was always amazed how Elvis was able to adapt to his audience and always rise to the occasion. Elvis was the most exciting stage performed who ever sat foot on a stage. He never allowed his music to be "manipulated" and his "light show" consisted of a handful of color lights masterfully choreographed by Lamar Fike. He had the vocal mastery to take a contemporary iconic song such as "Bridge Over Troubled Water"´ ( starting in 1970), and make it is his own. As of 1971, for instance, he would pour out his heart out onstage and could go from the buildup of "2001 A Space Odyssey" to "Johnny B Goode", to the gospel song "How Great Thou Art" and, before the audience could recover from the emotional experience of hearing/seeing Elvis perform these songs with vocal excellence, he would turn to singing one of his hits such as "Suspicious Minds". He surrounded himself with the best of the best, pertaining to the orchestra to the band, to the backup singers etc., and everyone who worked with him has confirmed that Elvis' vocal range has never been equalled. Even when Elvis' health problems were the most dramatic (i.e. visually, physically, mentally, emotionally, etc.), he sang his heart out and if you listen to the "CBS 1977 Concert", which aired after Elvis died sadly, Elvis' talent and vocal range is almost a "spiritual experience", touching something wonderful inside of our soul and leaving its imprint for all time. Hence, our ears after hearing the exceptional talent of Elvis' voice long for the time when Elvis sang live and/or put out a new album, and hearing him sing was a true blessing. (In fact), not a day goes by that I don’t' miss Elvis Presley as a performer - as a Father to his daughter - and as a charitable man - and as a beloved friend surrounded by lifetime friends (i.e. Marty Lacker, Red West, Sonn y West, Lamar Fike, Billy Smith, etc.), leaving us three decades of exceptional music. Elvis Presley took the talents that God gave him and shared them with the world, gave us his time and did so with grace. These are lessons that all of us can learn from and celebrate from generation to generation.

 
Elvis Presley
 

With the way he was marketed, he didn't even need to be able to sing the way he could. But Elvis had talent, plain and simple. The guy had a thousandth-octave range, and a variety in his vocal styles and approach, he could make more vocal tones, with just his voice, than a guitar player with 50 pedals and gadgets. If you never even saw the guy, you could plain feel, not just hear, the emotion and passion in his voice, and you are immediately taken in, one hundred percent. On the merit of vocals alone, he had more talent in the barbecue stuck in his teeth than the singers who sell millions of records do today.

 
Elvis Presley
 

I suppose you'd had to call him a lyric baritone, although with exceptional high notes and unexpectedly rich low ones. But what is more important about Elvis Presley is not his vocal range, nor how high or low it extends, but where its center of gravity is. By that measure, Elvis was all at once a tenor, a baritone and a bass, the most unusual voice I've ever heard.

 
Elvis Presley
 

There comes a point when the voice starts to wash over you. You get inside of it, start to really hear what he's doing, and you realise his singing has this extraordinary, effortless quality to it. Sometimes it's like listening to a stream of honey. It's a very smooth ride, the voice of Elvis Presley. I don't think you focus on the words when he's singing. I think he's doing what bel canto singers do - you don't listen to the words, "just" to the beauty of his voice-. When I say "just", that makes it sound as if he's denying you something else but, actually, that's quite enough.

 
Elvis Presley
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