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Elvis Presley

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Vocally is where I see him as this great synthesiser of American traditions; his voice is something of a shape shifter, it can sound high and mournful and soulful, and he can also sound like a preacher, or be quite gruff, or be a sweet crooner; it’s not the tone, it’s the technique, like he had to adopt all these other techniques and put them together to make something extraordinary; the reason there are so many Elvis impersonators is because the voice is undoable – it’s a mystery.
--
Justin Currie Scottish songwriter and singer, explaining Elvis´art to staff writer Graem Thompson, as published in the Scottish Herald, on 26 July 2010.

 
Elvis Presley

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Each singer (of the so-called folk variety), is recognized as much from its characteristic sound, as from what they actually sing or play, and they manipulate tone colour with a virtuousity that owes nothing to either the classical, or the Tin Pan Alley tradition; one thinks, for example, of the voice of Elvis Presley, an expressive vehicle, shifting from high to low tones, groaning, sluring, and producing breathless changes of rhythm; to many listeners, the voice may have seemed crude, but its folk inmediately resided in its crudeness.

 
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Attention involves seeing and hearing. We hear not only with our ears but also we are sensitive to the tones, the voice, to the implication of words, to hear without interference, to capture instantly the depth of a sound. Sound plays an extraordinary part in our lives: the sound of thunder, a flute playing in the distance, the unheard sound of the universe; the sound of silence, the sound of one’s own heart beating; the sound of a bird and the noise of a man walking on the pavement; the waterfall. The universe is filled with sound. This sound has its own silence; all living things are involved in this sound of silence. To be attentive is to hear this silence and move with it.

 
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I was about 10 years old, the first time I heard Elvis Presley's voice, pouring from my father's car radio, in East St. Louis, Illinois; I can't recall the song, whether it was a ballad or a rocker (but), what I remember is how his voice, that smoldering rumble of a voice, made my skin tingle; I don't know why, but I just loved his voice, his sound just did something to me.

 
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There comes a point when the voice starts to wash over you. You get inside of it, start to really hear what he's doing, and you realise his singing has this extraordinary, effortless quality to it. Sometimes it's like listening to a stream of honey. It's a very smooth ride, the voice of Elvis Presley. I don't think you focus on the words when he's singing. I think he's doing what bel canto singers do - you don't listen to the words, "just" to the beauty of his voice-. When I say "just", that makes it sound as if he's denying you something else but, actually, that's quite enough.

 
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They stood and listened, arms around each other for comfort, as the sound washed over them. It reverberated in the marrow of their bones, sung high and sweet, heartbreakingly mournful, quick as a jig, slow as the saddest air. Their hearts swelled with its beauty, its mystery. With all it revealed, and all that it hid.

 
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