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Elaine Paige

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Although no one could question her zealous work ethic (she drove herself to breakdown performing in Pam Gems’s Piaf in 1993), Paige is not exactly known for her humility. In newspaper profiles, that dread word "difficult" is often applied, and yet here she is in the chorus line, cheerfully taking on a modest role in a musical with far more credibility and less bombast than the shows that made her name.
--
Brian Logan in "The turning of the Paige" in The Times (4 June 2007)

 
Elaine Paige

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"The issue of 'science' does not intrude itself directly upon the occasion of the performance of a musical work, at least a non-electronically produced work, since—as has been said—there is at least a question as to whether the question as to whether musical composition is to be regarded as a science or not is indeed really a question; but there is no doubt that the question as to whether musical discourse or—more precisely—the theory of music should be subject to the methodological criteria of scientific method and the attendant scientific language is a question, except that the question is really not the normative one of whether it 'should be' or 'must be,' but the factual one that it is, not because of the nature of musical theory, but because of the nature and scope of scientific method and language, whose domain of application is such that if it is not extensible to musical theory, then musical theory is not a theory in any sense in which the term ever has been employed. This should sound neither contentious nor portentous, rather it should be obvious to the point of virtual tautology.”

 
Milton Babbitt
 

They will ask: "Who gave you the Teaching?"
Answer: "The Mahatma of the East."
They will ask: "Where does He live?"
Answer: "The abode of the Teacher not only cannot be made known but cannot even be uttered. Your question shows how far you are from the understanding of the Teaching. Even humanly you must realize how wrong your question is."
They will ask: "When can I be useful?"
Answer: "From this hour unto eternity."
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"Lose not an hour!"
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"Even sleep vigilantly."
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Nicholas Roerich
 

It is rather a pity, considered from the standpoint of the professional politician or opinion-taker, that nobody knows exactly what "credibility" is, or how one acquires it. "Credibility" doesn't stand for anything morally straightforward, like meaning what you say or saying what you mean. Nor does it signify anything remotely quantifiable — any correlation between evidence presented and case made. Suggestively, perhaps, it entered the language as a consensus euphemism during the Vietnam War, when "concerned" members of the Eastern Establishment spoke of a "credibility gap" rather than give awful utterance to the thought that the Johnson administration was systematically lying. To restore its "credibility," that administration was urged — not to stop lying, but to improve its public presentation. At some stage in the lesson learned from that injunction, the era of postmodern politics began. It doesn't seem ridiculous now to have "approval ratings" that fluctuate from week to week, because these are based upon the all-important "perception" factor, which has in turn quite lost its own relationship to the word "perceptive."

 
Christopher Hitchens
 

"I suppose you don't have much time for enjoying music," Clary said, thinking of Simon, for whom music was his entire life, "in your line of work."
He shrugged. "Maybe the occasional wailing chorus of the damned."

 
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The Gospel story of the Garden of Gethsemane used to absorb me very much as a child, because its "break" in the action and its human whimper made me wonder if some of the fantastic scenario might after all be true. Jesus ask, in effect, "Do I have to go through with this?" It is an impressive and unforgetable question, and I long ago decided that I would cheerfully wager my own soul on the belief that the only right answer to it is "no."

 
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