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Edmund Wilson

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He was, as painted, aristocratic, beyond any writer I've met, but in a Jeffersonian-American way that brooked no artificial distinctions. There was no cheap way you could impress him... It was a particular strength of his as a critic that he was not even impressed by the Dead as such. He could write of living authors in precisely the same tones, and applying the same standards, as he used for the Classics.
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Wilfrid Sheed, The Good Word & Other Words (1978) [Penguin, 1980, ISBN 0-14-005497-9], Part I, ch. 1: "Edmund Wilson, 1895-1972," p. 6

 
Edmund Wilson

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