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Edgar Degas

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A painting requires a little mystery, some vagueness, and some fantasy. When you always make your meaning perfectly plain you end up boring people.
--
Georges Jeanniot, Souvenirs sur Degas (Memories of Degas, 1933)

 
Edgar Degas

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It is better to have the child in the chimney corner moved by what happens in the poem, in spite of his ignorance of its real meaning, than to have the poem a puzzle to which that meaning is the only key. Still, complicated subjects make complicated poems, and some of the best poems can move only the best readers; this is one more question of curves of normal distribution. I have tried to make my poems plain, and most of them are plain enough; but I wish that they were more difficult because I had known more.

 
Randall Jarrell
 

What do we know about the world unseen? What reasonings, what curiosity, what misgivings there have been concerning that impenetrable mystery! Out of this mystery and vagueness and vastness comes the human form of the Divine Redeemer. He assures us that there is an unmixed and endless life, and that all we have to do to secure it is, to trust ourselves to Him who came to declare it and to confer it.

 
William Adams
 

As soon as you look at the world through an ideology you are finished. No reality fits an ideology. Life is beyond that. That is why people are always searching for a meaning to life. But life has no meaning; it cannot have meaning because meaning is a formula; meaning is something that makes sense to the mind. Every time you make sense out of reality, you bump into something that destroys the sense you made. Meaning is only found when you go beyond meaning. Life only makes sense when you perceive it as mystery and it makes no sense to the conceptualizing mind.

 
Anthony de Mello
 

Give me a mystery – just a plain and simple one – a mystery which is diffidence and silence, a slim little, barefoot mystery: give me a mystery – just one!

 
Yevgeny Yevtushenko
 

The idea of objectivity in the evaluation of pictures introduces the concept of rational and scientific assessment. There are some sciences involved in the making and in the study of pictures, but the art itself is finally not a science and will not submit to scientific regimentation because its life depends on the degree to which it is inhabited by mystery, speaks to us of the unknown. It is simply an avoidance of the interesting difficulty to subject the inexplicable to the process of rational explanation. For since the real pleasures of painting and the reality of its meaning exist in the part of its structure which cannot be explained, all suggestions and pretensions at explanation must lead us away from the area of greatest interest. This is to say that such analysis as purports to lay bare the machinery which makes a painting work — makes it a good painting — not only leaves out the most important factor, the element of mystery, but actively denies the reality which is the justification for the art at all.

 
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