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Donald E. Westlake

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Eyes wide and blank as the buttons on a first Communion coat.
--
Ask the Parrot (2006), writing as Richard Stark.

 
Donald E. Westlake

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Then she generated the light, and the sight of her room, flooded with radiance and studded with electric buttons, revived her. There were buttons and switches everywhere — buttons to call for food for music, for clothing. There was the hot-bath button, by pressure of which a basin of (imitation) marble rose out of the floor, filled to the brim with a warm deodorized liquid. There was the cold-bath button. There was the button that produced literature. and there were of course the buttons by which she communicated with her friends. The room, though it contained nothing, was in touch with all that she cared for in the world.

 
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Professor Branestawm, like all great men, had simple tastes. He wore simple trousers with two simple legs. His coat was simply fastened with safety pins because the buttons had simply fallen off...

 
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Some people might think I could play Russian Roulette safely with a blank bullet. Our armourer took us outside to demonstrate the damage a blank causes at close range. (The demonstration showed the significant damage caused by firing a blank at a plastic bottle)

 
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All the communions of a life-time are one communion.
All the communions of all men now living are one communion.
All the communions of all men, present, past and future, are one communion.

 
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I tell you, if one wants to be active, one must not be afraid of going wrong, one must not be afraid of making mistakes now and then. Many people think that they will become good just by doing no harm — but that's a lie, and you yourself used to call it that. That way lies stagnation, mediocrity.
Just slap anything on when you see a blank canvas staring you in the face like some imbecile. You don't know how paralyzing that is, that stare of a blank canvas is, which says to the painter, You can't do a thing. The canvas has an idiotic stare and mesmerises some painters so much that they turn into idiots themselves. Many painters are afraid in front of the blank canvas, but the blank canvas is afraid of the real, passionate painter who dares and who has broken the spell of 'you can't' once and for all.
Life itself, too, is forever turning an infinitely vacant, dispiriting blank side towards man on which nothing appears, any more than it does on a blank canvas. But no matter how vacant and vain, how dead life may appear to be, the man of faith, of energy, of warmth, who knows something, will not be put off so easily. He wades in and does something and stays with it, in short, he violates, “defiles” — they say. Let them talk, those cold theologians.

 
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