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David Brin

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She closed her eyes. And while her intellect wouldn’t let her realize her deepest fear, that all this might soon be gone forever, nevertheless she stood there for a time and worshipped the only way a person like her could worship—in silence and solitude, under the temple of the sky.
--
Part VI (p. 307)

 
David Brin

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The person who wishes also seeks, but his seeking is in the dark, not so much in regard to the object of the wish as in regard to his not knowing whether he is getting closer to it or further away. Among the many goods there is one that is the highest, that is not defined by its relation to the other goods, because it is the highest, and yet the person wishing does not have a definite idea of it, because it is the highest as the unknown-and this good is God. The other goods have names and designations, but where the wish draws its deepest breath, where this unknown seems to manifest itself, there is wonder, and wonder is immediacy’s sense of God and is the beginning of all deeper understanding. The seeking of the wishing person is in the dark not so much in regard to the object, because this is indeed the unknown, as in regard to whether he is getting closer to it or further away-now he is startled and the expression of his wonder is worship. Wonder is an ambivalent state of mind containing both fear and blessedness. Worship therefore is simultaneously a mixture of fear and blessedness. Even the most purified, reasonable worship is blessedness in fear and trembling, trust in mortal danger, bold confidence in the consciousness of sin. Even the most purified and reasonable worship of God has the fragility of wonder, and the magnitude of the God-relation is not directly determined by the magnitude of power and of wisdom and of deed; the most powerful person is the most powerless; the most devout person sighs out of deepest distress; the most mighty is the one who rightly folds his hands.

 
Soren Aabye Kierkegaard
 

The materials of the first temple were made ready in solitude. Those of the last also must be shaped in retirement; in the silence of the heart; in the quietness of home; in the practice of unostentatious duty.

 
Henry Giles
 

The time comes in the life of each of us when we realize that death awaits us as it awaits others, that we will receive at the end neither preference nor exemption. It is then, in that disturbed moment, that we know life is an adventure with an ending, not a succession of bright days that go on forever. Sometimes the knowledge come with the repudiation and quick revolt that such injustice awaits us, sometimes with fear that dries the mouth and closes the eyes for an instant, sometimes with servile weariness, an acquiescence more dreadful than fear. The knowledge that my own end was near came with pain, and afterwards astonishment, with the conventional heart attack, from which, I've been told, I've made an excellent recovery.

 
William March
 

Seven kinds of people will be sheltered under the shade of God on the Day of Judgment...They are: a just ruler, a young man who passed his youth in the worship and service of God...one whose heart is attached to the mosque...two people who love each other for the sake of God...a man who is invited to sin...but declines, saying 'I fear God'...one who spends his charity in secret, without making a show...and one who remembers God in solitude so that his eyes overflow.

 
Holy Prophet Muhammad
 

A man with true, warm heart, and a soul and an intellect, — with life to his fingerprints; earnest, sincere, and reverent; very tender and modest. And I am not sure that he is not a very great man. He has very keen perceptive power; but what astonishes me is, that his eyes are not large and deep. He seems to me to see everything accurately; and how he can do so with his small eyes, I cannot tell. They are not keen eyes, either, but quite undistinguished in any way. His nose is straight and handsome, his mouth expressive of sensibility and emotion. He is tall and erect, with an air free, brave, and manly. When conversing, he is full of gesture and force, and loses himself in his subject. There is no grace or polish. Once in a while, his animation gives place to a singularly quiet expression, out of those eyes to which I have objected; an indrawn, dim look, but which at the same time makes you feel that he is at that instant taking deepest note of what is before him. It is a strange, lazy glance, but with a power in it quite unique. It does not seem to penetrate through you, but to take you into itself.

 
Herman Melville
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