Monday, April 29, 2024 Text is available under the CC BY-SA 3.0 licence.

Daniel C. Dennett

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People ache to believe that we human beings are vastly different from all other species - and they are right! We are different. We are the only species that has an extra medium of design preservation and design communication: culture. ... We have language, the primary medium of culture... In a few short millennia - a mere instant in biological time - we have already used our new exploration vehicles to transform not only our planet but the very process of design development that created us.

 
Daniel C. Dennett

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Intelligent design is eminently falsifiable. Specified complexity in general and irreducible complexity in biology are within the theory of intelligent design the key markers of intelligent agency. If it could be shown that biological systems like the bacterial flagellum that are wonderfully complex, elegant, and integrated could have been formed by a gradual Darwinian process (which by definition is non-telic), then intelligent design would be falsified on the general grounds that one doesn't invoke intelligent causes when purely natural causes will do. In that case Occam's razor finishes off intelligent design quite nicely.

 
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It is the preservation of the species, not of individuals, which appears to be the design of Deity throughout the whole of nature.

 
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The religions begin by assuring us that if we could see the full picture we would find it more integrated than we would normally suppose. Life gives us no view of the whole. [...] It is as if life were a great tapestry, which we face from its wrong side. This gives it the appearance of a maze of knots and threads, which for the most part appear chaotic.
From a purely human standpoint the wisdom traditions are the species' most prolonged and serious attempts to infer from the maze on this side of the tapestry the pattern which, on its right side, gives meaning to the whole. As the beauty and harmony of the design derive from the way its parts are related, the design confers on these parts a significance that we, seeing only scraps of the design, do not normally perceive.

 
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My life appeared to me as unnatural, uncertain and incredible as the design on the pencase I am using at this moment. It seems that a painter who has been possessed, perhaps a perfectionist, has painted the cover of this pencase. Often, when I look at this design, it seems familiar; perhaps it is because of this design that I write or perhaps this design makes me write.

 
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The content or time-clothing of any medium or culture is the preceding medium or culture.

 
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