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Coretta Scott King

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The more visible signs of protest are gone, but I think there is a realization that the tactics of the late sixties are not sufficient to meet the challenges of the seventies.
--
As quoted in The Quotable Woman (1978) by Elaine Partnow, p. 390

 
Coretta Scott King

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The two deepest thinkers on sex in the twentieth century are Sigmund Freud and D.H. Lawrence. Their reputations as radical liberators were so universally acknowledged that brooding images of Freud and Lawrence in poster form adorned the walls of students in the Sixties. Yet the voluminous and complex works of both men were swept away by the current women's movement, when it burst out in the late Sixties and consolidated its ideology in the Seventies. Whatever their motives, the first feminist theorists acted as vandals and Bolsheviks. The damage they did to culture has in the long run damaged the cause of feminism. ?

 
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Much protest is naive; it expects quick, visible improvement and despairs and gives up when such improvement does not come. Protesters who hold out for longer have perhaps understood that success is not the proper goal. If protest depended on success, there would be little protest of any durability or significance. History simply affords too little evidence that anyone's individual protest is of any use. Protest that endures, I think, is moved by a hope far more modest than that of public success: namely, the hope of preserving qualities in one's own heart and spirit that would be destroyed by acquiescence.

 
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If we can keep our heads—and our nerve—the long-awaited economic miracle is in our grasp. Britain can achieve in the Seventies what Germany and France achieved in the Fifties and Sixties.

 
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[Harry listening to car radio] ...he resents being made to realise, this late, that the songs of his life were as moronic as the rock the brainless kids now feed on, or the Sixties and Seventies stuff that Nelson gobbled up – all of it designed for empty heads and overheated hormones, an ocean white with foam, and listening to it now is like trying to eat a double banana split the way he used to. It's all disposable, cooked up to turn a quick profit. They lead us down the garden path, the music manufacturers, then turn around and lead the next generation down with a slightly different flavour of glop.

 
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I am only a man: I need visible signs.
I tire easily, building the stairway of abstraction.
Many a time I asked, you know it well, that the statue in church
lift its hand, only once, just once, for me.
But I understand that signs must be human,
therefore call one man, anyone on earth,
not me — after all I have some decency —
and allow me, when I look at him, to marvel at you.

 
Czeslaw Milosz
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