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Clement Greenberg

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The paradox in the evolution of French painting from Courbet to Cézanne is how it was brought to the verge of abstraction in and by its very effort to transcribe visual appearance with ever greater fidelity.
--
"On the Role of Nature in Modernist Painting" (1949), p. 171

 
Clement Greenberg

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What I am trying to do is to present a unified scientific view of life; that is, a view integrating life's biological, cognitive, and social dimensions. I have had many discussions with social scientists, cognitive scientists, physicists and biologist who question that task, who said that this would not be possible. They ask, why do I believe that I can do that? My belief is based largely on our knowledge of evolution. When you study evolution, you see that there was, first of all, evolution before the appearance of life, there was a molecular type of evolution where structures of greater and greater complexity evolved out of simple molecules. Biochemist who study that have made tremendous progress in understanding that process of molecular evolution. Then we had the appearance of the first cell which was a bacterium. Bacteria evolved for about 2 billion years and in doing so invented, if you want to use the term, or created most of the life processes that we know today. Biochemical processes like fermentation, oxygen breathing, photosynthesis, also rapid motion, were developed by bacteria in evolution. And what happened then was that bacteria combined with one another to produce larger cells — the so-called eukaryotic cells, which have a nucleus, chromosomes, organelles, and so on. This symbiosis that led to new forms is called symbiogenesis.

 
Fritjof Capra
 

What I am trying to do is to present a unified scientific view of life; that is, a view integrating life's biological, cognitive, and social dimensions. I have had many discussions with social scientists, cognitive scientists, physicists and biologist who question that task, who said that this would not be possible. They ask, why do I believe that I can do that? My belief is based largely on our knowledge of evolution. When you study evolution, you see that there was, first of all, evolution before the appearance of life, there was a molecular type of evolution where structures of greater and greater complexity evolved out of simple molecules. Biochemist who study that have made tremendous progress in understanding that process of molecular evolution. Then we had the appearance of the first cell which was a bacterium. Bacteria evolved for about 2 billion years and in doing so invented, if you want to use the term, or created most of the life processes that we know today. Biochemical processes like fermentation, oxygen breathing, photosynthesis, also rapid motion, were developed by bacteria in evolution. And what happened then was that bacteria combined with one another to produce larger cells — the so-called eukaryotic cells, which have a nucleus, chromosomes, organelles, and so on. This symbiosis that led to new forms is called symbiogenesis.

 
Fritjof Capra
 

There science is dealing with physical facts, in art we are dealing with psychic effects. With this I come to my first statement: The source of art – that is, where it comes from – is the discrepancy between physical fact and psychic effect. That’s what I’m talking about. When I want to speak about why I am doing the same thing now, which is squares, for – how long? – 19 years. Because there is no final solution in any visual formulation. Although this may be just a belief on my part, I have some assurances that that is not the most stupid thing to do, through Cézanne, whom I consider as one of the greatest painters. From Cézanne we have, so the historians tell us – 250 paintings of Mont St. Victoire. But we know that Cézanne has left in the fields often more than he took home because he was disappointed with his work. So we may conclude he did many more than 250 of the same problem.

 
Joseph Albers
 

Cézanne's painting is strictly painting, and its value is immense; but Van Gogh's painting has the Outsider's characteristic: it is a laboratory refuse of a man who treated his own life as an experiment in living; it faithfully records moods and developments of vision on the manner of a Bildungsroman.

 
Colin Wilson
 

Do not attempt to accomplish greater results by a greater effort of your little understanding, but by a greater understanding of your little effort. The greater your understanding of the power within yourself, the less effort you need to make in order to achieve.

 
Walter Russell
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