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[T]he images which remained in the memory are not in themselves terrible or rigorous: they are of boot-lockers, wooden desks, lists on boards, name-tags in clothes — yes, the name pre-eminently; the name which in a sense makes you nameless, less individual rather than more so: Bradshaw-Isherwood, C.W. in its place on some alphabetical list; the cold daily, hourly reminder that you are not the unique, the loved, the household’s darling, but just one among many. I suppose that this loss of identity is really much of the painfulness which lies at the bottom of what is called Homesickness; it is not Home that one cries for but one’s home-self.
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Quoted in Peter Parker, Isherwood: A Life (2004), pp. 40-41
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This reminiscence is from the first draft of the biographical study Isherwood did of his parents (Huntington CI 1082: 81). The version published in Kathleen and Frank (1971), chapter 15, p. 285 differs slightly.

 

Christopher Isherwood

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We must see that there is civic honesty, civic cleanliness, civic good sense in our home administration of city, State, and nation. We must strive for honesty in office, for honesty toward the creditors of the nation and of the individual; for the widest freedom of individual initiative where possible, and for the wisest control of individual initiative where it is hostile to the welfare of the many. But because we set our own household in order we are not thereby excused from playing our part in the great affairs of the world. A man's first duty is to his own home, but he is not thereby excused from doing his duty to the State; for if he fails in this second duty it is under the penalty of ceasing to be a freeman. In the same way, while a nation's first duty is within its own borders, it is not thereby absolved from facing its duties in the world as a whole; and if it refuses to do so, it merely forfeits its right to struggle for a place among the peoples that shape the destiny of mankind.

 

Theodore Roosevelt

 

There are places we all come from — deep-rooty-common places — that make us who they are. And we disdain them or treat them lightly at our peril. We turn our backs on them at the risk of self-contempt. There is a sense in which we need to go home again — and can go home again. Not to recover home, no. But to sanctify memory.

 

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The art of recollecting is not easy, because in the moment of preparation it can become something different, whereas memory merely fluctuates between remembering correctly and remembering incorrectly. For example, what is homesickness? It is something remembered that is recollected. Homesickness is prompted simply by one’s being absent. The art would be to be able to feel homesickness even though one is at home. This takes proficiency in illusion. To go on living in an illusion in which there is continual dawning, never daybreak, or to reflect oneself out of all illusion is not as difficult as to reflect oneself into an illusion, plus being able to let it work on oneself with the full force of illusion even though one is fully aware. To conjure up the past for oneself is not as difficult as to conjure away the present for the sake of recollection. This is the essential art of recollection and is reflection to the second power.

 

Soren Aabye Kierkegaard

 

You can't go back home to your family, back home to your childhood, ... back home to a young man's dreams of glory and of fame ... back home to places in the country, back home to the old forms and systems of things which once seemed everlasting but which are changing all the time-back home to the escapes of Time and Memory.

 

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Home where my thought's escaping,
Home where my music's playing,
Home where my love lies waiting
Silently for me.

 

Paul Simon