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Charles Sanders Peirce

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Fourth, this supreme law, which is celestial and living harmony, does not so much as demand that the special ideas shall surrender their peculiar arbitrariness and caprice entirely; for that would be self-destructive. It only requires that they influence and be influenced by one another.

 
Charles Sanders Peirce

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I myself, as a person, have been influenced by many writers and many things, and my writing has felt the impact of the writing of many writers, some relatively unknown and unimportant, some downright bad. But probably the greatest influence of them all when an influence is most effective — when the man being influenced is nowhere near being solid in his own right — has been the influence of the great tall man with the white beard, the lively eyes, the swift wit and the impish chuckle.

 
William Saroyan
 

I found many men to whom I felt deeply grateful — especially Guy de Maupassant, Jack London, and H. L. Mencken — but the first man to whom I felt definitely related was George Bernard Shaw. This is a presumptuous or fatuous thing to mention, perhaps, but even so it must be mentioned. ... I myself, as a person, have been influenced by many writers and many things, and my writing has felt the impact of the writing of many writers, some relatively unknown and unimportant, some downright bad. But probably the greatest influence of them all when an influence is most effective — when the man being influenced is nowhere near being solid in his own right — has been the influence of the great tall man with the white beard, the lively eyes, the swift wit and the impish chuckle. ... I have been fascinated by it all, grateful for it all, grateful for the sheer majesty of the existence of ideas, stories, fables, and paper and ink and print and books to hold them all together for a man to take aside and examine alone. But the man I liked most and the man who seemed to remind me of myself — of what I really was and would surely become — was George Bernard Shaw.

 
George Bernard Shaw
 

When I was born 20.6.(18)87, I was influenced by Picasso to cry. When I could walk and speak I still stood under Picasso’s influence and said to my mother: ‘Tom’ or ‘Happening’ meaning the entrances of the canal under the street. My lyrical time was when I lived in the Violet Street. I never saw a violet. That was my influenced by Matisse because when he painted rose I did not paint violet. As a boy of ten I stood under Mondrian’s influence and built little houses with little bricks. Afterwards I stood under the influence of the Surrealists... In never stood under the influence of Dadaism because whereas the Dadaist created Spiegeldadaismus on the Zurich Lake, I created MERZ on the Leineriver, under the influence of Rembrandt. Time went on, and when Hans Arp made concrete Art, I stayed Abstract. Now I do concrete Art, and Marcel Duchamp went over to the Surrealists... and at all I have much fun about Art.

 
Kurt Schwitters
 

The Supreme Court of Florida has said that the legislature intended the State's electors to "participat[e] fully in the federal electoral process," as provided in 3 U. S. C. §5. That statute, in turn, requires that any controversy or contest that is designed to lead to a conclusive selection of electors be completed by December 12. That date is upon us, and there is no recount procedure in place under the State Supreme Court's order that comports with minimal constitutional standards. Because it is evident that any recount seeking to meet the December 12 date will be unconstitutional for the reasons we have discussed, we reverse the judgment of the Supreme Court of Florida ordering a recount to proceed. Seven Justices of the Court agree that there are constitutional problems with the recount ordered by the Florida Supreme Court that demand a remedy.

 
Anthony Kennedy
 

Throughout all organic nature there is at work a modifying influence of the kind... as the cause, these specific differences: an influence which, though slow in its action, does, in time, if the circumstances demand it, produce marked changes—an influence, which to all appearance, would produce in the millions of years, and under the great varieties of condition which geological records imply, any amount of change.

 
Herbert Spencer
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