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Charles Baudelaire

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The imagination eulogized by Baudelaire is in his own case more often than not a synonym for desire or despair. His critical exigencies are, like those of the profoundly sick man that he was, harsh and imperative and illusory in the sense of release temporarily obtained. Yet imagination is also the faculty that gives Baudelaire a royal sense of equality with other creative artists; he uses his status as a poet to boost his activities as a critic, claiming, with total justification in his case, that criticism is a creative affair, a fine rather than applied art.
--
Anita Brookner, "Baudelaire," from The Genius of the Future (Cornell University Press, 1971, ISBN 0-8014-9540-7), p. 70

 
Charles Baudelaire

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Imagination does not breed insanity. Exactly what does breed insanity is reason. Poets do not go mad; but chess-players do. Mathematicians go mad, and cashiers; but creative artists very seldom. I am not, as will be seen, in any sense attacking logic: I only say that this danger does lie in logic, not in imagination.

 
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With adolescence comes the first reaching out to otherness through the drive of sexuality. For most children, from then on the faculty of the imagination, manifest in play, is lost in the focus on day dreams of desire and love, but for those who are going to be artists of one kind or another the first life-crisis after that of birth does something else in addition: the imagination gains range and extends by the subjective flex of new and turbulent emotions. There are new perceptions. The writer begins to be able to enter into other lives. The process of standing apart and being involved has come.

 
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It seems that the creative faculty and the critical faculty cannot exist together in their highest perfection.

 
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First, we must consider what soul is. It is, then, that by which the animate differs from the inanimate. The difference lies in motion, sensation, imagination, intelligence. Soul therefore, when irrational, is the life of sense and imagination; when rational, it is the life which controls sense and imagination and uses reason. The irrational soul depends on the affections of the body; it feels desire and anger irrationally. The rational soul both, with the help of reason, despises the body, and, fighting against the irrational soul, produces either virtue or vice, according as it is victorious or defeated.

 
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