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Camille Paglia

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When feminist discourse is unable to discriminate the drunken fraternity brother from the homicidal maniac, women are in trouble.
--
on date rape, p. 33

 
Camille Paglia

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Ferenczi was considered paranoid for believing his women patients; the men's confessions were not even discussed. Ernest Jones, the powerful English analyst who had been Ferenczi's analysand, now took up the cudgel against him in deadly seriousness. Jones let it be known after Ferenczi's death in 1933 (he died a few months after the quarrel with Freud) that he was really a homicidal maniac. While I was in London working in the Jones archives I discovered what this really meant: Jones believed that to disagree with Freud (the father) was tantamount to patricide (father murder). And so, because Ferenczi believed that children were sexually abused and Freud did not, Ferenczi was branded by Jones as a homicidal maniac, and this piece of scurrilous interpretation stuck (page 152).

 
Jeffrey Moussaieff Masson
 

A transformation would take place when he'd put on his uniform. He would be transformed into this homicidal maniac.

 
Lawrence Taylor
 

Airports scrupulously apply the same laughably ineffective airport harassment to Suzy Chapstick as to Muslim hijackers. It is preposterous to assume every passenger is a potential crazed homicidal maniac. We know who the homicidal maniacs are. They are the ones cheering and dancing right now.
We should invade their countries, kill their leaders and convert them to Christianity. We weren't punctilious about locating and punishing only Hitler and his top officers. We carpet-bombed German cities; we killed civilians. That's war. And this is war.

 
Ann Coulter
 

The 1990s brought a widespread backlash against this rigid feminist orthodoxy [in American academia]. For many, it was personified by Camille Paglia, a professor at an obscure university in Philadelphia, who, in her 1990 book Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson, as well as in scores of essays and interviews, dismissed women’s contributions to Western culture (“There are no female Mozarts”) and mocked the “weepy, whiny, white middle-class ideology” of the “Stalinist” feminist movement under Gloria Steinem, which Paglia reviled for its intellectual vacuity, sexual puritanism, and hostility to men -- not to mention its obsessive victim mentality, which, in her view, only served to reinforce Victorian stereotypes. For Paglia, women, far from being the weaker sex, were gifted by nature with an innate power over men -- the power of sex. […] The feminist establishment, however, chose not to learn from but to vilify Paglia and company. And Women’s Studies, unable to answer them, all but ignored them.

 
Camille Paglia
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