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Brian Viglione

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It has become this really beautiful network of people, both professional and amateur, that just come together to have a good time depending on what city we're in.
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October 2005 - Recoil Interview

 
Brian Viglione

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There's actually a network that I could think of that [does not ask difficult questions] for a living, which is tell the people at home the same answer all the time, because it makes them feel good. And they don't like hearing arguments on that network, the people that watch it. There are people out there that — there was a great scene at the end of Carnal Knowledge — remember that old movie — where Jack Nicholson is going to the hooker, and he wants it exactly the same every time. And when she— when Rita Morena, who played the hooker, said something just a little bit different in their normal sort of business they did, and he couldn't do it. They want it exactly the same way, these people who watch Fox. Every night they want it the same way. They can't do it if it's not exactly the same way.

 
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I saw rich beggars and poor beggars, proud beggars and humble beggars, fat beggars and thin beggars, healthy beggars and sick beggars, whole beggars and crippled beggars, wise beggars and stupid beggars. I saw amateur beggars and professional beggars. A professional beggar is a beggar who begs for a living.

 
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The vitality of our network will determine our professional fate.

 
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It is particularly displeasing to hear professional critics using the term "layman" to describe people who are amateurs and patrons of those arts with which they are themselves professionally concerned. The fact that the critic gets money for knowing something, and giving public expression to his opinion, does not entitle him to consider the amateur, who may be as well informed and as sensitive as himself, an outsider.

 
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