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Brandon Boyd

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"When we're making music together, it's like five men making love-in a very platonic sense. It's very erotic, because your spirits are intermingling, you're becoming one. It's also why it can get so heated. You're tapping into this electricity that's very primal."
--
citing reasons for the band's group therapy Spin (October 2001)

 
Brandon Boyd

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She's unafraid, too, of tackling more problematic areas of sexuality, as for instance when she dealt with cradle-snatching in "The Infant Kiss" and incest in "The Kick Inside". But not all that seems erotic in her music is about sex, as an EMI employee discovered when he found her working on the hypnotic "out-in-out-in" chant section of "Breathing" (from 1980's Never For Ever), and expressed outrage at EMI's young pop princess making such an overtly sexual record. The song is, of course, about breathing. Duhhh!

 
Kate Bush
 

Johnny goes to modeling class in his school for special children and he gets his piece of putty and he's modeling it. He takes a little lump of putty and goes to a corner of the room and he's playing with it. The teacher comes up to him and says, "Hi, Johnny." And Johnny says, "Hi." And the teacher says, "What's that you've got in your hand?" And Johnny says, "This is a lump of cow dung." The teacher asks, "What are you making out of it?" He says, "I'm making a teacher."
The teacher thought, "Little Johnny has regressed." So she calls out to the principal, who was passing by the door at that moment, and says, "Johnny has regressed."
So the principal goes up to Johnny and says, "Hi, son." And Johnny says, "Hi." And the principal says, "What do you have in your hand?" And he says, "A lump of cow dung." "What are you making out of it?" And he says, "A principal."
The principal thinks that this is a case for the school psychologist. "Send for the psychologist!"
The psychologist is a clever guy. He goes up and says, "Hi." And Johnny says, "Hi." And the psychologist says, "I know what you've got in your hand." "What?" "A lump cow dung." Johnny says, "Right." "And I know what you're making out of it." "What?" "You're making a psychologist." "Wrong. Not enough cow dung!"

 
Anthony de Mello
 

Feist: "I met Maya Arulpragasam about four or five years ago in England when I was on tour with the rapper Peaches, who was also my roommate. We stayed with Justine Frischmann, from Elastica, and she and Maya were roommates. Maya wasn't making music back then; she was making clothes and videos and art, spray-painting jackets. A couple months ago, I was at the South by Southwest Festival in Austin, and I saw her onstage, and it was just amazing. I can't stop listening to her new album, Arular (XL/Beggars U.S.). "Pull Up the People" is a song that's always rotating through my head. I didn't know I needed sunshine-dancehall-booty music until I got her record."

 
M.I.A.
 

Cleavage Sister: "What do you feel about erotic art?"
Morrissey:"I don't know much about rotting art?"
Cleavage Sister: "What about erotic music?"
Morrissey:"I know a great deal about rotting music."

 
Morrissey
 

""You'll always be powerless to this girl. You'll never be in charge. There's something there," George told me, "that makes you crazy and always will. If you don't cut the connection for good, in the end that something will destroy you. You're no longer merely answering natural need with her. This is the pathology in its purest form. Look," he told me, "see it as a critic, see it from a professional point of view. You violated the law of aesthetic distance. You sentimentalized the aesthetic experience with this girl - you personalized it, you sentimentalized it, and you lost the sense of separation essential to your enjoyment. Do you know when that happened? ... I'm not against it because it's digusting. I'm against it because it's falling in love. The only obsession everyone wants: 'love.' People think that in falling in love they make themselves whole? The Platonic union of souls? I think otherwise. I think you're whole before you begin. And the love fractures you. You're whole, and then you're cracked open."

 
Philip Roth
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