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Boris Johnson

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It is just flipping unbelievable. He is a mixture of Harry Houdini and a greased piglet. He is barely human in his elusiveness. Nailing Blair is like trying to pin jelly to a wall.
"The BBC was doing its job - bring back Gilligan", Daily Telegraph, 29 January 2004, p. 21.
Reaction to the Hutton Report.

Boris Johnson

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You could no more make an agreement with them than you could nail currant jelly to a wall - and the failure to nail current jelly to a wall is not due to the nail; it is due to the currant jelly.

Theodore Roosevelt

Jim Powell was a Jelly-bean. Much as I desire to make him an appealing character, I feel that it would be unscrupulous to deceive you on that point. He was a bred-in-the-bone, dyed-in-the-wool, ninety-nine three-quarters per cent Jelly-bean and he grew lazily all during Jelly-bean season, which is every season, down in the land of the Jelly-beans well below the Mason-Dixon line.

F. Scott Fitzgerald

Houdini, the great transitional figure between "magical" acts and ingenious tricks, was at pains to explain that everything he did was a trick; he offered rewards, never collected, for any "supernatural" act he could not explain. The Amazing Randi carries on in the same tradition, bending spoons as easily as Uri Geller. And yet in Houdini's time, there were those who insisted he was doing real magic; how else could his effects be achieved?
Daniel Mark Epstein wrote about the Houdini believers in a 1986 issue of the New Criterion, which I read as I read everything I can get my hands on about Houdini. The thing was, Houdini really did free himself from those fetters and chains and sealed trunks dropped into the river, and survived the Chinese Water Torture (an effect used prominently in The Prestige night after night). But there were those who argued his tricks were physically impossible, and thus must be supernatural.

Harry Houdini

Someone from the Internet Writing Workshop sent me a link to the Gender Genie, where you paste in a section of text and it uses an algorithm to detect whether the author is male or female. Or, if you’re an author, you can tell whether you’re really nailing your opposite-sex characters. I mean, nailing their dialog.

Max Barry

[A grandchild barely able to remember Harry's own mother] But can Ma be no more than that in this child's memory? Do we dwindle so fast to next to nothing?

John Updike
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