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Benoit Mandelbrot

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The word fractal, once introduced, had an extraordinary integrating effect upon myself and upon many people around. Initially again it was simply a word to write a book about, but once a word exists one begins to try to define it, even though initially it was simply something very subjective and indicating my field. Now the main property of all fractals, put in very loose terms, is that each part — they're made of parts — each part is like the whole except it is smaller. After having coined this word I sorted my own research over a very long period of time and I realised that I had been doing almost nothing else in my life.
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Segment 67

 
Benoit Mandelbrot

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I conceived, developed and applied in many areas a new geometry of nature, which finds order in chaotic shapes and processes. It grew without a name until 1975, when I coined a new word to denote it, fractal geometry, from the Latin word for irregular and broken up, fractus. Today you might say that, until fractal geometry became organized, my life had followed a fractal orbit.

 
Benoit Mandelbrot
 

Somehow the word started coming back - some people still had breath to spare, apparently. The word was this hill was a quarter of a mile long. The word was it was two miles long. The word was that no Walker had ever gotten a ticket on this hill. The word was that three boys had gotten tickets here just last year. And after that, the word stopped coming back.

 
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In the beginning was the Word. The Word was with God, signified God's Word, the word that was Creation. But over the centuries of human culture the word has taken on other meanings, secular as well as religious. To have the word has come to be synonymous with ultimate authority, with prestige, with awesome, sometimes dangerous persuation, to have Prime Time, a TV talk show, to have the gift of the gab as well as that of speaking in tongues. The word flies through space, it is bounced from satellites, now nearer than it has ever been to the heaven from which it was believed to have come.

 
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I will admit that an artist may be great and limited; by one word he may light up an abyss of soul; but there must be this one magical and unique word. Shakespeare gives us the word, Balzac, sometimes, after pages of vain striving, gives us the word, Tourgueneff gives it with miraculous certainty; but Henry James, no; a hundred times he flutters about it; his whole book is one long flutter near to the one magical and unique word, but the word is not spoken; and for want of the word his characters are never resolved out of the haze of nebulae. You are on a bowing acquaintance with them; they pass you in the street, they stop and speak to you, you know how they are dressed, you watch the colour of their eyes.

 
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Because our time is struggling toward the word with which it may express its spirit, many names come to the fore and all make claim to being the right one. [...] Without our assistance, time will not bring the right word to light; we must all work together on it. If, however, so much depends on us, we may reasonably ask what they have made of us and what they propose to make of us; we ask about the education through which they seek to make us creators of that word. Do they conscientiously cultivate our predisposition to become creators or do they treat us only as creatures whose nature simply permits training? [...] Therefore we are concerned above all with what they make of us in the time of our plasticity; the school question is a life question.

 
Max Stirner
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