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Antonin Dvorak

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In the negro melodies of America I discover all that is needed for a great and noble school of music. They are pathetic, tender, passionate, melancholy, solemn, religious, bold, merry, gay or what you will. It is music that suits itself to any mood or any purpose. There is nothing in the whole age of composition that cannot be supplied with themes from this source.
--
Interviewed by James Creelman, New York Herald, May 21, 1893.

 
Antonin Dvorak

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I am now satisfied that the future music of this country must be founded upon what are called negro melodies. This must be the real foundation of any serious and original school of composition to be developed in the United States.

 
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Do you really think that my music is devoid of religious antecedents? Do you wish to put an artist's soul under restraint? Do you find it difficult to conceive that one who sees mystery in everything — in the song of the sea, in the curve of the horizon, in the wind and in the call of the birds — should have been attracted to a religious subject? I have no profession of faith to utter to you: but, whichever my creed may be, no great effort on my part was needed to raise me to the height of d'Annunzio's mysticism. I can assure you that my music was written in exactly the spirit as if it had been commissioned for performance in church.
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I think America concedes that (true American music) has sprung from the negro. When we take these things that come from the art of the Negro and from the heart of the man farthest down.

 
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