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Penguinia gloried in its wealth. Those who produced the things necessary for life, wanted them; those who did not produce them had more than enough. "But these," as a member of the Institute said, "are necessary economic fatalities." The great Penguin people had no longer either traditions, intellectual culture, or arts. The progress of civilisation manifested itself among them by murderous industry, infamous speculation, and hideous luxury. Its capital assumed, as did all the great cities of the time, a cosmopolitan and financial character. An immense and regular ugliness reigned within it. The country enjoyed perfect tranquillity. It had reached its zenith.
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Book VII : Modern Times, Ch. IX : The Final Consequences

 

Anatole France

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"Like you, our love of the land is deep. Like you, our pride in the sacred traditions of our culture is immense. Like you, our desire for the economic advancement of our people is solid and enduring. And like you, we are committed to a better future for our children."

 

Timoci Bavadra

 

The means of production being the collective work of humanity, the product should be the collective property of the race. Individual appropriation is neither just nor serviceable. All belongs to all. All things are for all men, since all men have need of them, since all men have worked in the measure of their strength to produce them, and since it is not possible to evaluate every one's part in the production of the world's wealth.
All things are for all. Here is an immense stock of tools and implements; here are all those iron slaves which we call machines, which saw and plane, spin and weave for us, unmaking and remaking, working up raw matter to produce the marvels of our time. But nobody has the right to seize a single one of these machines and say, "This is mine; if you want to use it you must pay me a tax on each of your products," any more than the feudal lord of medieval times had the right to say to the peasant, "This hill, this meadow belong to me, and you must pay me a tax on every sheaf of corn you reap, on every rick you build."
All is for all! If the man and the woman bear their fair share of work, they have a right to their fair share of all that is produced by all, and that share is enough to secure them well-being. No more of such vague formulas as "The Right to work," or "To each the whole result of his labour." What we proclaim is The Right to Well-Being: Well-Being for All!

 

Peter Kropotkin

 

I used to say that arts were talked about in the arts and leisure page. Now, why would it be arts and leisure? Why do we think that arts are leisure? Why isn't it arts and science or arts and the most important thing in your life? I think that art has become a big scarlet letter in our culture.
It's a big "A." And it says, you are an elitist, you're effete, or whatever those things...do you know what I mean? It means you don't connect. And I don't believe that. I think we've patronized our audiences long enough.
You can do things that would bring people to another place and still get someone on a very daily mundane moving level but you don't have to separate art from the masses.

 

Julie Taymor

 

"You know, the whole American culture is going down the drain, you can't turn on a television set and see anything, or walk in the street and not find garbage, or neighborhoods that were formerly beautiful now have McDonald's in them, and it's all a part of an enormous degeneration of culture in the United States. People that exist in that culture are forced to make moral decisions all the time about their lives, their occupations, their love-lives, and they make decisions that are commensurate with what's happening to them in this culture, and it's too bad that that's happening because that's what Manhattan is about, that New York used to be such a great city, so wonderful, and it has to fight every day for its survival against the encroachment of all this terrible ugliness that is gradually overcoming all the big cities in America.
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Woody Allen

 

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Robert Crumb