Tuesday, May 07, 2024 Text is available under the CC BY-SA 3.0 licence.

Alan Moore

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New-age woolly-hat Glastonbury mystics weary me, sometimes, but they talk about energy, the energy of a place, of a person. We all know what they mean, but at the same time it has to be said that this is not energy that is going to show up on an autometer. We’re not talking about energy in the conventional sense that physics talks about energy. To me, energy is information – I think you can make that bold a statement. The only lines of energy that link up disparate sites in London are lines of information, that have been drawn by an informed mind. The energy that we put forth is information we have taken in. We will see a work of art and it will give us inspiration, it will give us energy. It’s given us information that we can turn to our own use and put out as something else. That’s the kind of energy that we – and psychogeography – are talking about.

 
Alan Moore

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After being alive, the next hardest work is having sex. Of course, for some people it isn't work because they need the exercise and they've got the energy for the sex and the sex gives them even more energy. Some people get energy from sex and some people lose energy from sex. I have found that it's too much work. But if you have the time for it, and if you need that exercise—then you should do it. But you could really save yourself a lot of trouble either way by first figuring out whether you're an energy-getter or an energy-loser. As I said, I'm an energy-loser. But I can understand it when I see people running around trying to get some.

 
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What you call as creation is just (energy). Everything is the same energy. The rock is the same energy. God is also the same energy. This is gross; that is subtle. As you make it more and more subtle, beyond a certain level of subtleness, you call it “Divine.” Below a certain level of grossness, you call it animal; further below that you call it inanimate. It is all the same energy. -Sadhguru

 
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Nikola Tesla
 

To show forbearance and gentleness in teaching others; and not to revenge unreasonable conduct — this is the energy of southern regions, and the good man makes it his study. To lie under arms; and meet death without regret — this is the energy of northern regions, and the forceful make it their study. Therefore, the superior man cultivates a friendly harmony, without being weak — How firm is he in his energy! He stands erect in the middle, without inclining to either side — How firm is he in his energy! When good principles prevail in the government of his country, he does not change from what he was in retirement. How firm is he in his energy! When bad principles prevail in the country, he maintains his course to death without changing — How firm is he in his energy!

 
Confucius
 

The more you get into material and matter, all you realize is in matter, there is energy. There is a blur between energy and consciousness. All material is conscious to some extent or another. All material can respond to some extent or another to vibrations of energy that is different to energy you learn about in physics. There are all sorts of reliable information now on people and animal being able to be able to effect the operations of machines—even of computers—and I think that has great implications for what goes on between a musician and his instrument. There is a level of reality where there is no time, and there is no space, there is just energy. And we have contact with that through the intermediate layers, so, if the right channels—if the right connections are established, I don’t see why a piece of matter, a piece of broken glass or and old record can’t make contact through this very high level of reality that has access to everything past and future. I suppose my instruments do retain some sort of memory of me. I know that when I’m working on them I feel (not explicitly, I don’t hear voices in my head or anything) that I’m making a connection with it. The circuit diagram, that is then converted into a circuit board, which then becomes a part of an instrument is something that is a record that I made. So I guess in that sense it is something that is certainly a memory.

 
Robert Moog
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