Wolfe talks in a way that no human being on the face of the earth has ever spoken, with the possible exception of Rex Stout after he had a gin and tonic.
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Michael Jaffe, executive producer of the A&E TV series, A Nero Wolfe Mystery. Quoted in Vitaris, Paula, "Miracle on 35th Street: Nero Wolfe on Television," Scarlet Street, issue #45, 2002, p. 36Rex Stout
Rex Stout's greater innovation lay in his attention to the realities of the larger world. Nero Wolfe might not know the streets of his city very well, but he knew his nation. There are, for examples, reference in Fer-de-Lance to national issues such as Prohibition, and the Depression, and the Lindbergh baby. A few others writers of Golden Age detective stories were inserting a few topical references of this sort, but none to the degree Stout did. The Wolfe series is probably the only major detective story series before the 1970s to make national affairs an essential part of the detective's world, and few of the post-1970 series are as explicit about historical events and figures. ... Stout does not feel obligated to invent a surrogate senator from a vaguely Midwestern state; Nero Wolfe despises Joseph R. McCarthy, and he says so. Archie may drive a Heron, but when it comes to J. Edgar Hoover or Richard M. Nixon, he names names.
Rex Stout
Rex Stout's witty, fast-moving prose hasn't dated a day, while Wolfe himself is one of the enduringly great eccentrics of popular fiction. I've spent the past four decades reading and re-reading Stout's novels for pleasure, and they have yet to lose their savor.
Rex Stout
Stout says to us, "Here are two friends. Here are two people sharing their lives. As you wish for friendship, share in theirs. As you seek companionship, share in theirs. As you search for love, share in theirs." Rex Stout invites us into the family and offers warmth and security and certainty. He affirms what we all seek on some primal level. If such disparate individuals as Wolfe and Goodwin can share friendship and love and caring and life, can not we? That’s the strength here. That’s the message and the feel-good inherent in the voice and character that Rex Stout has given to Archie Goodwin. In this cold world, it is a fire on which we may warm our hands.
Rex Stout
As regards ... what is independent of our bodily makeup we are all individually made; each one of us is his or her own self, an individual. With the exception of the far less important differences that show up as racial or national differences ... but which are (if you have a sense for this you cannot help noticing it) mere trifles by comparison with differences in individual gifts and skills: with the exception of these we are all equal as human beings ... as regards our external, physical humanity. We are equal as human beings, here in the physical world, specifically in that we all have the same human form and all manifest a human countenance. The fact that we all bear a human countenance and encounter one another as external, physical human beings... this makes us equal on this footing. We differ from one another in our individual gifts which, however, belong to our inner nature.
Rudolf Steiner
Whenever a man talks he lies, and so far as he talks to himself — that is to say, so far as he thinks, knowing that he thinks — he lies to himself. The only truth in human life is that which is physiological. Speech — this thing that they call a social product — was made for lying.
Miguel de Unamuno
Stout, Rex
Stove, David
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