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L. Ron Hubbard

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Unfortunately, it is all too often true that suppressors to a creative action must be removed before construction and creation takes place. Any person very high on the Tone Scale may level destruction toward a suppressor.
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p. 159

 
L. Ron Hubbard

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There are only two answers for the handling of people from 2.0 down on the Tone Scale, neither one of which has anything to do with reasoning with them or listening to their justification of their acts. The first is to raise them on the Tone Scale by un-enturbulating some of their theta by any one of the three valid processes. The other is to dispose of them quietly and without sorrow.

 
L. Ron Hubbard
 

The creative action is not voluntary at all, but automatic; we can only put the mind into the proper attitude, and wait for the wind, that blows where it listeth, to breathe over it. Thus the true state of creative genius is allied to reverie, or dreaming.

 
Oliver Wendell Holmes
 

It has already been observed that women, wherever placed, however high or low in the scale of cultivation, hold the destinies of human kind. Men will ever rise or fall to the level of the other sex.

 
Frances Wright
 

In large-scale organizations, the factual approach must be constantly nurtured by high-level executives. The more layers of authority through which facts must pass before they reach the decision maker, the greater the danger that they will be suppressed, modified, or softened, so as not to displease the "brass". For this reason, high-level executives must keep reaching for facts or soon they won't know what is going on. Unless they make visible efforts to seek and act on facts, major problems will not be brought to their attention, the quality of their decisions will decline, and the business will gradually get out of touch with its environment.

 
Marvin Bower
 

If a man were to stand on one leg or, in a droll dancing posture, swing his hat, and in this pose recite something true, his few listeners would fall into two classes, and he would not have many, since most of them would probably abandon him. The one class would say: How can what he says be true when he gesticulates that way? The other class would say: Well, it makes no difference whether he performs an entrechat or stands on his head or turns somersaults; what he says is true, and I will appropriate and let him go. So it is also with the imaginary construction. If what is said is earnestness to the writer, he keeps the earnestness essentially to himself. If the recipient interprets it as earnestness, he does it essentially by himself, and precisely this is the earnestness. Even in elementary education one distinguishes between “learning by rote.” The being-in-between of the imaginary construction encourages the inwardness of the two away from each other in inwardness. This form won my complete approval, and I believed I had also found that in it the pseudonymous authors continually aimed at existing and in this way sustained an indirect polemic against speculative thought. If a person knows everything but knows it by rote, the form of the imaginary construction is a good exploratory means; in this form, one even tells him what he knows, but he does not recognize it.

 
Soren Aabye Kierkegaard
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