He will always see the most beauty whose affections are the warmest and most exercised, whose imagination is the most powerful, and who has most accustomed himself to attend to the objects by which he is surrounded.
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Review of Archibald Alison's Essays on the Nature and Principles of Taste, in the Edinburgh Review (May 1811)Francis Jeffrey
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I am certain of nothing but the holiness of the heart's affections and the truth of imagination — what the imagination seizes as beauty must be truth — whether it existed before or not.
John Keats
It is now time, leaving every object of sense far behind, to contemplate, by a certain ascent, a beauty of a much higher order; a beauty not visible to the corporeal eye, but alone manifest to the brighter eye of the soul, independent of all corporeal aid. However, since, without some previous perception of beauty it is impossible to express by words the beauties of sense, but we must remain in the state of the blind, so neither can we ever speak of the beauty of offices and sciences, and whatever is allied to these, if deprived of their intimate possession. Thus we shall never be able to tell of virtue's brightness, unless by looking inward we perceive the fair countenance of justice and temperance, and are convinced that neither the evening nor morning star are half so beautiful and bright. But it is requisite to perceive objects of this kind by that eye by which the soul beholds such real beauties. Besides it is necessary that whoever perceives this species of beauty, should be seized with much greater delight, and more vehement admiration, than any corporeal beauty can excite; as now embracing beauty real and substantial. Such affections, I say, ought to be excited about true beauty, as admiration and sweet astonishment; desire also and love and a pleasant trepidation. For all souls, as I may say, are affected in this manner about invisible objects, but those the most who have the strongest propensity to their love; as it likewise happens about corporeal beauty; for all equally perceive beautiful corporeal forms, yet all are not equally excited, but lovers in the greatest degree.
Plotinus
The objects that we have known in better days are the main props that sustain the weight of our affections, and give us strength to await our future lot. The future is like a dead wall or a thick mist hiding all objects from our view; the past is alive and stirring with objects, bright or solemn, and of unfading interest.
William Hazlitt
Philosophy and Art both render the invisible visible by imagination. Where Sense observes two isolated objects, Imagination discloses two related objects. This relation is the nexus visible. We had not seen it before; it is apparent now. Where we should only see a calamity the poet makes us see a tragedy. Where we could only see a sunrise he enables us to see
George Henry Lewes
Curiosity is natural to the soul of man and interesting objects have a powerful influence on our affections. Let these influencing powers actuate, by the permission or disposal of Providence, from selfish or social views, yet in time the mysterious will of Heaven is unfolded, and we behold our conduct, from whatever motives excited, operating to answer the important designs of heaven.
Daniel Boone
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