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Alun Lewis

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I am more and more engrossed with the single poetic theme of Life and Death, for there doesn't seem to be any question more directly relevant than this one of what survives of all the beloved.
--
Letter written in 1943; cited from Jeremy Hooker and Gweno Lewis (eds.) Selected Poems of Alun Lewis (London: Unwin, 1987) p. 108.

 
Alun Lewis

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The underlying theme of Western poetry is mortality. The theme of carpe diem asks us to seize the day because we have only a limited number of them. To see life through the lens of death is to approach the condition of gratitude for the gift (or simply the fact) of our existence. And as Wallace Stevens said, Death is the mother of beauty. Only the perishable can be beautiful, which is why we are unmoved by artificial flowers.

 
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Does any man have the right to dispose of his own life? This is the ultimate question of moral entitlement, and relevant only if right is relevant in this context, and it is not. A suicidal man cannot be concerned - and nor should he be - with questions of moral entitlement. (p53)

 
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How come life in prison doesn't mean life? Until it does, we're not ready to do away with the death penalty. Stop thinking in terms of "punishment" for a minute and think in terms of safeguarding innocent people from incorrigible murderers. Americans have a right to go about their lives without worrying about these people being back out on the street. So until we can make sure they're off the street permanently, we have to grit our teeth and put up with the death penalty. So we need to work toward making a life sentence meaningful again. If life meant life, I could, if you'll excuse the pun, live without the death penalty.
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