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In my use of the camera, I work to make images that go beyond, and even undermine, the conventions of "point of view." Such images transcend the limitation that would seem to be inherent in the photographic mechanism (or "point-of-view machine"). They allow the viewer to see and feel the "room"—or the world, or reality—as it is, beyond the ego’s self-reference. And such images thereby become a non-verbal means of "picturing" the essential human process of ego-transcendence—going beyond the fixed "point of view" of the ego, or the core presumption of separateness

 

Adi Da

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But at some point, you know that— you know what poem keeps going through my mind is, "first they came for the Jews." People, all of us, are like, "Well, this news doesn't really affect me." "Well, I'm not a bondholder." "Well, I'm not in the banking industry." "Well, I'm not a big CEO." "Well, I'm not on Wall Street." "Well, I'm not a car dealer." "I'm not an auto worker." Gang, at some point, they're going to come for you!

 

Glenn Beck

 

A word says more than a thousand images. Exercises for the visually inclined: illustrate "appreciation", "humor", "software", "education", "inalienable rights", "elegance", "fact".

 

Erik Naggum

 

Women have two orgasms, the real ones and the ones they make up on their own. And I can give you the male point of view on this, which is: we're fine with it. You do whatever you have to do, and we'll do whatever we have to. ...To a man, sex is like a car accident anyway, and trying to determine a female orgasm is like asking, "What did you see after the car went out of control?" "Well, there were a lot of screeching noises, I was facing the wrong way at one point, and in the end, my body was thrown clear."

 

Jerry Seinfeld

 

Why can't she say extremist Muslims rather than just Muslims? "If that'll make you happy. They slaughtered 3,000 people and I'm making unfair generalisations. I think we're even." Well, no, I don't think we're even, I begin to reply — and at this point I see a side of Ann Coulter that goes beyond the ludicrous opinions. I see someone who is not afraid to twist, distort, bully and lie in order to "win" her argument.
Before I can elaborate or finish my sentence, she's off again. "Oh no, you're right, a generalisation is so much worse than slaughtering 3,000 people." I'm not saying that, I say. "I can't go beyond that, an ethnic generalisation is worse than slaughter. That is the essence of liberalism, you really do believe that. You get a glass of wine in you and you spit it out. You heard it. Making an un-PC generalisation is worse than the attack of 9/11." I'm not saying that, I repeat. "Yes, you are, you just said it." Of course I don't think that, I start, before I'm cut off again. "Liar!"
The irony is that she claims to be above this kind of steamrolling. "The country is trapped in a political discourse that resembles professional wrestling," she has written. "Liberals are calling names while conservatives are trying to make arguments." But her view of what constitutes an argument seems to be a distinctly one-sided affair. I try again: "Do you think I have any point at all about..." I begin, but she interrupts again. "No!" She doesn't even know what my point was.

 

Ann Coulter

 

From the point of view of semantics, errors must be accidents: if in the extension of "horse" there are no cows, then it cannot be required for the meaning of "horse" that cows be called horses. On the other hand, if "horse" did not mean that which it means, and if it were an error for horses, it would never be possible for a cow to be called "horse." Putting the two things together, it can be seen that the possibility of falsely saying "this is a horse" presupposes the existence of a semantic basis for saying it truly, but not vice versa. If we put this in terms of the crude causal theory, the fact that cows cause one to say "horse" depends on the fact that horses cause one to say "horse"; but the fact that horses cause one to say "horse" does not depend on the fact that cows cause one to say "horse"...

 

Jerry Fodor